Tag Archives: Chris Dennard

Sextet at Marine Corps Marathon

On 30 October 2011, a sextet from the National Capital Band braved cold temperatures and an early-morning call time to provide music for the annual Marine Corps Marathon in the Washington, DC area. The marathon is one of the largest in the United States, with more than 21,000 participants. The sextet was positioned at the four-mile mark of the course, which winds through the monuments and historic locations in Washington and the close-in Virginia suburbs.

Sextet at Marine Corps Marathon

Sextet at Marine Corps Marathon

The sextet consisted of David Delaney (cornet), Ian Chaava (cornet), Chris Dennard (horn), Kevin Downing (trombone), Steve Kellner (euphonium) and John Reeves (tuba). They played a mixture of patriotic and Salvation Army tunes, and reported that many of the runners expressed their appreciation as they came by. The sextet was on duty for the entire race, not leaving their formation until the “straggler buses” came by at the rear of the field.

Sextet at Marine Corps Marathon

Sextet at Marine Corps Marathon

Personnel News - September 2011

The National Capital Band (Bandmaster Dr. Steve Kellner) begins the 2011 – 2012 season by welcoming a number of new members. In a new initiative for this season, intended to clarify and formalize to some degree the requirements for membership in the band, each member and potential member received an invitation email from the band’s executive officer, Major James Allison, in August.

Band Sergeant Dave Downing, one of the longest-serving members in the history of the National Capital Band, has had to step away from participation as a player because of a condition caused by medical treatment. However, he will still be a member of the band in a support role and will continue in his role as Band Sergeant.

In the cornet section, the band welcomes Bill Bamford on solo cornet. Bill has recently joined the finance department at Divisional Headquarters, and attended the Band Retreat after having started his new job only the day before! Also, Ian Chaava has moved from euphonium to solo cornet after having demonstrated his talents on that instrument at the NCV Music Conservatory during the summer. The band is fortunate to have such a versatile player in the ensemble.

Captain Cathie Burleigh, corps officer in Harrisonburg, Virginia, has joined the band on first cornet. Rachel Wiley, whose parents were appointed to Divisional Headquarters in the latest round of officer moves, has been invited as a provisional member in the second cornet section.

The addition of two members in the solo cornet section allows Chris Dennard to move to flügelhorn. Chris has previously occupied this chair in the band, most notably during the 2007 tour of Switzerland and France.

In the baritone section, Anthony Randolph, who is from Richmond, Virginia, has been invited as a provisional member.

The principal euphonium chair is now occupied by Joel Collier. Hailing from Philadelphia, Joel has begun work on a Master of Euphonium Performance degree at James Madison University in Harrisonburg, Virginia. Captain Amy Reardon remains in the euphonium section and, as mentioned above, Ian Chaava has moved to solo cornet.

In the bass section, the band is glad to welcome back John Reeves, who was on a leave of absence last season while he was serving in Iraq. He returns to his seat on B-flat tuba. Also joining the band on B-flat tuba is Jim Shiels, who has recently moved from St. Louis to Richmond, where he has already been commissioned as bandmaster of the Richmond Citadel Band. On E-flat bass, Captain Tim Delaney, appointed as Divisional Youth Secretary in June, has joined the ensemble.

Covington Ministry Weekend

On the weekend of 20 – 21 February 2010, the National Capital Band (Bandmaster James B. Anderson) traveled to Covington, Virginia, to support the celebration of the dedication of a new Salvation Army building.

Covington is a small city in southwestern Virginia. The Salvation Army “opened fire” there in 1926 and purchased a building on Highland Avenue at that time. Over 80 years later, this building was still in use, despite having been obsolete for decades. The new building dedicated on this weekend is the first phase of three planned segments, with a chapel and gymnasium still to be built. The campaign to make the progress seen so far has been quite long and difficult, with many of the other corps in the National Capital and Virginia Division contributing toward the effort, as well as donations from local businesses and individuals in Covington and the nearby town of Clifton Forge.

Saturday, 20 February 2010

Unlike many of the weekend engagements undertaken by the National Capital Band, this one did not feature a Saturday evening concert. Instead, the band supported the local Salvation Army’s appreciation dinner for Advisory Board members, donors and members of the community who supported the campaign to build the new facility. The band arrived in Covington early in the afternoon and members were able to spend a couple of hours relaxing at the hotel before going to the Covington Baptist Church for the dinner. Some time was spent in setting up, as the room was quite small for a band of this size, but a satisfactory arrangement was made. The band then ate dinner and returned to the formation as the guests began to arrive.

As the dinner guests came in, the band provided some music, including Cornerstone (Andrew Mackereth), God Bless America (Irving Berlin, arr. William Gordon), My Tribute (Andrae Crouch, arr. Kevin Norbury) and Cause for Celebration (William Himes). Captains Karl and Janice Dahlin, corps officers for Covington, gave some words of welcome, which were followed by an invocation given by the chairman of the Advisory Board, Reverend Bill Hartsfield.

As the guests were served, the band continued with Bugler’s Holiday (Leroy Anderson), featuring David Delaney, David Mersiovsky and Chris Dennard. Other items in this segment included Swedish Folk Song (arr. Peter Graham), What a Friend (Erik Leidzén) and another time through My Tribute, especially requested by the band’s executive officer, Major James Allison.

Two special feature items were presented by the band during the dinner. The first, I Will Follow Him (from the movie “Sister Act”) featured the trombone section (Kevin Downing, Maria Mathieson, Ellim Choi and Matt Sims). The second required the men of the band to showcase their vocal talents with the light-hearted Men of the Chorus (accompanied on piano by Christina Anderson).

Most of the officers on the divisional staff were present for the event, including the Divisional Commander and his wife, Majors Mark and Alice Bell. The Salvation Army in Covington has struggled financially for many years, as the region is not strong economically and the needs are great. During this a considerable debt from the local corps to Divisional Headquarters has built up, as the headquarters covered operating expenses that could not be met by the corps fund-raising efforts. In a move that surprised everyone in the room, Major Mark Bell announced that all of the debt which had been carried on the books from the Covington Corps to Divisional Headquarters was cancelled – $61,000 for the local thrift store and $129,000 for the corps operations. He also presented a check for $10,000 to the corps officers, the first $2,500 of which was earmarked to stock the corps food bank used to help those in need of nutritional assistance, and the rest to begin operations in the new building “in the black.”

The campaign to raise the funds to build the first phase of the project in Covington was long, again owing the to economic condition of the surrounding area. The building being dedicated on this weekend was only the first phase of the project, with a chapel and gymnasium also planned. In another surprise, Major Bell also announced that the remaining work on building the chapel, estimated to cost $205,000, would also be financed by Divisional Headquarters.

One of the guests at the dinner was the Mayor of Covington, Stephanie Clark. In addition to being a civic leader, the Mayor is an evangelical Christian. She had heard the band playing My Tribute during the dinner, and asked if she could sing with the band before she made her remarks to the gathering. So, for the third time, the band played this piece, with the Mayor contributing soulful and powerful vocals. The band played another feature, Dance Like David (Andrew Mackereth) before the end of the dinner. Following special remarks and a challenge to the Covington community to complete the project by building the gymnasium, Major Allison, Major Bell and the rest of the Salvationists present joined the band in leading the congregation in O Boundless Salvation, using William Himes’ excellent arrangement as the accompaniment.

Sunday, 21 February 2010

On Sunday morning, the members of the band formed up near the old corps building on Highland Avenue, with members of the divisional staff and the Covington corps. They stepped off sharply on a march of witness through the streets, marching from the old corps building to the new, a distance of slightly less than half a mile. Marching to old favorite hymn tunes such as “All for Jesus” and “Onward, Christian Soldiers”, the parade ended in the small parking area in front of the new building, with the band playing the classic march Golden Jubilee and then the assembled Salvationists saluting as the Covington corps flag entered the new building for the first time.

Since the chapel portion of the project has not been completed, the Sunday morning service was held in a multi-purpose room in the new building. The room lacks a platform, but the holiness table and Mercy Seat from the old corps had been transferred and placed at the front of the room, and there was just enough room on the side to set up the band formation.

The band opened the worship with some preliminary music, including Be Thou My Vision, Jesus Loves Me and ’Mid All the Traffic. During the meeting the band featured Swedish Folk Song as an offertory, and members of the band formed into a chorus to sing The Saviour’s Name (Clarke, arr. Ballantine).

Several testimonies were given by officers who had been associated with the Covington corps over the years, including Major Eric Roberts and Major Linda Sloan. The most moving of the testimonies was that of Major Jim McGee, who described coming to Covington as a railway worker, becoming saved in a watchtower on the rail yard, finding the Salvation Army as a church and eventually becoming an officer. Corps Sergeant-Major Robin Hall also spoke eloquently about her long association with the corps, and was named “Soldier of the Year”. Mike McCulley of the Covington Corps contributed to the meeting by singing Who Am I?.

Major Mark Bell gave a challenging message, which was followed by the band and congregation joining for O Boundless Salvation, with Bandmaster Anderson stepping away from the band for the last verse to wave the Corps flag in the traditional salute associated with the Founder’s song. The band played Washington Salute 125 (Stephen Bulla) as a postlude.

This ministry weekend, while not a typical one for the National Capital Band, was a rewarding one as the band supported one of the smaller corps in the division during an extremely important weekend for both the corps and the city of Covington.

2009 Community Appreciation Christmas Concert

The National Capital Area Command held its annual Community Appreciation Christmas Concert, featuring the National Capital Band (Bandmaster James B. Anderson), on Sunday, 13 December 2009.

Other performers included mezzo-soprano Sara Dell’Omo, junior soloist David S. Carroll, the DC Metro Timbrelists led by Elsie Morris and The Singin’ Eagles of C. Hunter Ritchie Elementary School led by Steve Aiello.

Held in the auditorium of the historic George Washington National Masonic Memorial in Alexandria, Virginia, a capacity audience of nearly 400 persons were present for this year’s concert. Following words of welcome from the Area Commander, Major Steve Morris, the National Capital Band began the evening with Fanfare Jubiloso (James Curnow). This was followed by the first of several “carols for all”, O Come, All Ye Faithful (arr. Willcocks, trans. James Anderson). Major Wendy Morris then gave an invocation. The concert continued with the band’s performance of On Christmas Day (Stephen Bulla).

For the past several years, it has been the tradition at this event to feature a junior vocal soloist, to sing Away in a Manger. This year, the soloist was Daniel Carroll, whose parents are officers at the Harbor Light Center in Washington. Following his excellent performance, Daniel was interviewed by Bandmaster Anderson and given the opportunity to lead the congregation in a verse of the song.

The National Capital Band has a number of talented soloists, and the next item, Leroy Anderson’s well-known trumpet trio, Bugler’s Holiday, featured three of them – David Delaney, David Mersiovsky and Chris Dennard. Their performance was met with much applause from the audience.

For the past several years, this event has featured mezzo-soprano Sara Dell’Omo, who is a featured vocal soloist with the US Marine Band and White House Orchestra (“The President’s Own). Her first contribution to this year’s concert was the medley Season of Christmas (Stephen Bulla), which includes the songs We Need a Little Christmas, Pine Cones and Holly Berries and Have Yourself a Merry Little Christmas.

Following Silent Night sung as a congregational carol, the next guest performers were introduced. For the past two years, the National Capital Band has partnered with the Warrenton Chorale for a concert in the autumn. The director of the chorale, Steve Aiello, is a school music teacher, and for the Christmas concert this year the “Singin’ Eagles” of C. Hunter Ritchie Elementary School were invited to participate. Looking sharp in their green vests and purple bowties, the young vocalists presented two items in their first set, Christmas A-Comin’ (Carl Strommen) and The Animal’s Lullaby (Cynthia Gray).

The National Capital Band continued the program with Feliz Navidad (José Feliciano, arr. Dorothy Gates). It has been a feature of the annual Christmas concert since the beginning to have a timbrel group made up of performers from various Salvation Army corps in the Washington area. This year they performed a routine, accompanied by the band, to Peter Graham’s march The Shining Star.

Another item which has become an audience favorite during the annual concert is singing The Twelve Days of Christmas. With the band accompanying (using Bandmaster Anderson’s transcription of the John Rutter arrangement), the audience is taken through all twelve days, with a surprise accelerando on Day 12 that prompted some mock anger on the part of bandmaster. Following this, the concert was brought back to a somewhat more serious mood with Sara Dell’Omo’s second offering, O Holy Night, and Robert Redhead’s suite The Joy of Christmas presented by the band. This led into an inspirational message from Major Steve Morris.

The choir returned with Laudamus Te (Ruth Elaine Schramm) and Play for Me a Simple Melody, which concluded with three different lines being sung at the same time, an impressive performance for any choir, but made more so by the fact that this choir is made up of students 12 years old and younger. A final congregational carol, Hark the Herald Angels (arr. Willcocks, trans. Anderson), finished the concert and the National Capital Band’s executive officer, Major James Allison, gave the benediction. As the crowd departed, the band presented Season’s Greetings (James Anderson) as a postlude.

Mini-Concert at Maryland ARC

Bandmaster James B. Anderson and the National Capital Band made their final rehearsal of 2009 into a special event at the Adult Rehabilitation Center in Hyattsville, Maryland. At the invitation of Majors Paul and Dawn McFarland, the band changed its rehearsal venue from Divisional Headquarters to the chapel at the ARC on Monday, 7 December 2009, using the latter part of the rehearsal time as a mini-concert for the residents of the center.

After some challenges fitting the band formation onto the platform in the ARC chapel, Bandmaster Anderson took the band through an abbreviated rehearsal, using slightly more than half the normal 2 hours. Residents from the ARC took their seats gradually during this time. After the rehearsal portion of the evening was complete, principal baritone Robert Schramm gave a short devotion, for both the members of the band and the residents already in the hall, which focused on the story of the well-loved Christmas carol O Come, All Ye Faithful.

The mini-concert began with a congregational carol, Hark, the Herald Angels Sing (arr. Willcocks, trans. James Anderson). This was followed by the march The Shining Star and Robert Redhead’s suite The Joy of Christmas. Three members of the band’s solo cornet bench, David Delaney, David Mersiovsky and Chris Dennard, presented the classic trumpet trio Bugler’s Holiday (Leroy Anderson). The band followed with its last item of the short concert, Feliz Navidad (José Feliciano, arr. Dorothy Gates), which generated extended applause from the audience. The concert concluded with another congregational carol, The Twelve Days of Christmas (arr. Rutter, trans. James Anderson), with the usual “surprise” accelerando on Day 12.

Christmas Joy in Richmond

The National Capital Band (Bandmaster James B. Anderson) traveled to St. Mary’s Catholic Church in Richmond, Virginia, on Saturday, 5 December 2009 for a concert entitled “Christmas Joy”.

Despite some rather nasty weather, with rain and a threat of snow, the members of the band arrived in good order at the church at noon, with the concert scheduled to begin at 2:45 pm. The first order of business was a lunch, provided by the Salvation Army Womens’ Auxiliary. The the band set up and did some sound checks in the sanctuary. While the church is a beautiful place, it was somewhat difficult to adjust to the nearly 6-second reverberation time.

By the time that the concert began, nearly 800 people had gathered to listen, despite the increasingly wintry weather. In addition to the National Capital Band, the concert featured young musicians from the Richmond area. The Salvation Army in Richmond has established a School for the Performing Arts, under the direction of area music director Bandmaster Matt Sims, and the fruits of that program were evident in the fine performances of the youth band (conducted by Bandmaster Brad Ford) and the youth chorus (conducted by Bandmaster Sims). A group of four timbrelists from Richmond presented a routine to the march Christmas Joy, accompanied by the National Capital Band.

Other highlights of the concert included the classic Leroy Anderson trumpet trio Bugler’s Holiday, performed with style by David Delaney, David Mersiovsky and Chris Dennard, and the band’s performance of the suite The Joy of Christmas (Robert Redhead). As with many Christmas concerts, the audience joined in several times to sing carols. The most notable of these was The Twelve Days of Christmas (arr. John Rutter, trans. James Anderson) with Bandmaster Anderson’s usual showmanship with a large accelerando on Day 12, and then reminding the audience that they must “watch the conductor!”

By the end of the concert, snow was falling outside, but this did not detract from the message conveyed to the enthusiastic audience by the National Capital Band and the other participants in the event.

Weekend of Hope in Lynchburg

The National Capital Band (Bandmaster James B. Anderson) traveled to the city of Lynchburg, Virginia for a ministry weekend, 2 – 3 May, 2009. The primary reason for the band’s visit was the celebration of the opening of a new Salvation Army facility in Lynchburg, the Center of Hope. Located next to the existing Lynchburg Corps building on Park Avenue, this center replaces aging shelter and other buildings in the city.

The first event of the weekend was Community Appreciation Concert, held at the Heritage United Methodist Church. The concert, which was free to the public as an expression of the Salvation Army’s appreciation for the large amount of community support for the Center of Hope Project, generated a near-capacity audience of 350.

Despite being somewhat hampered by an unusual seating formation, forced by the unusual shape of the platform at the church, the NCB gave a strong performance, commencing with Dudley Bright’s mixture of Tudor English and contemporary Christian melodies, In Good Company. Following an invocation and words of welcome from Major David Cope, commanding officer in Lynchburg, the band continued with the festival march Rolling Along (William Himes).

The first soloist feature of the evening was the exciting euphonium solo The Better World, played with dexterity and sensitivity by Sam Funkhouser. This was followed by William Himes’ re-telling of the story of the battle of Jericho in words and music, Jericho Revisited, featuring Captain Michael Harris as narrator.

A large part of the ministry of the National Capital Band is the personal commitment of the members to their faith. A feature of most NCB concerts is a personal testimony by one of the members. On this occasion, one of the younger members of the band, Ian Chaava, gave a short but moving presentation. Following Ian’s testimony, another feature item was presented, the cornet trio Sweetest Name (Howard W. Evans), with soloists David Delaney, Chris Dennard and David Mersiovsky. The first half of the program concluded with Musicmaker, Peter Graham’s tribute to the musical contributions of General John Larsson.

Following the intermission, the NCB started off the second half of the program with Bandmaster Anderson’s march Goldcrest, many of the audience singing along with the theme “I’ve Got the Joy, Joy, Joy.” This was followed by what might be considered the major work of the evening, another offering by William Himes, the suite To the Chief Musician. This demanding work again showed the narration skills of Captain Michael Harris, used the band for chanting and singing, and featured Christina Anderson as vocal soloist in the second movement.

The trombone section was featured in the next item, Wonders Begin (Ray Steadman-Allen). Following this, the band moved into “swing mode” for Leonard Ballantine’s arrangement of the spiritual Wade in the Water. The band’s Executive Officer, Major James Allison, gave a short devotional message after this item.

The concert concluded, as do many NCB concerts, with patriotic music, beginning with William Gordon’s arrangement of God Bless America. This was followed by a medley of songs associated with the United States military, Armed Forces Salute (Stephen Bulla). This piece, which includes the songs associated with the five branches of the US Armed Forces (Air Force, Coast Guard, Army, Navy and Marines), is often featured on NCB programs. The band’s tradition is to have members of the audience who are current or former members of the military stand as the song for their branch is played to receive the recognition of the audience. This is a popular part of the NCB concerts, and this time was no exception.

Following the benediction, the band gave the final patriotic number, perhaps the most recognized of all American marches, John Philip Sousa’s The Stars and Stripes Forever. The audience responded with a standing ovation, and the band played the march Motondo as an encore.

On Sunday morning, the NCB conducted worship services at the Lynchburg Corps. The holiness meeting was celebratory in nature, keeping in step with the theme of the weekend. The band presented Bound for the Promised Land (Paul Drury) and Our God Reigns (James Anderson) as preliminary items. Following some words of welcome and the taking of the offering, the congregation participated in singing Crown Him with Many Crowns (with the band accompanying using Charles Skinner’s stirring arrangement) and Shout to the Lord. Sam Funkhouser gave an excellent personal testimony detailing his journey from faith to doubt and returning to an even stronger faith.

The Scripture lesson of the morning, John 21:15–22, was preceded by David Delaney’s sensitive playing of the cornet solo I’d Rather Have Jesus (arr. William Himes). Following the Scripture reading, the trombone section was featured in Goff Richards’ arrangement of I Will Follow Him, as featured in the film “Sister Act”. This item was specifically requested by the speaker for the morning, Major James Allison, fitting in perfectly with the sermon entitled Jesus Said, “Follow Me”. Following the sermon and altar call (which featured a moving vocal solo by Kirby Crews of the Lynchburg Corps), the meeting concluded with the congregation and band joining together for O Boundless Salvation, with the band playing William Himes’ arrangement of the Founder’s Song. As a postlude, the band ended the morning service with The Father’s Blessing (Kenneth Downie).

The final event of the weekend, a ribbon-cutting and dedication of the new Center of Hope building, was unfortunately driven indoors by heavy rains. However, the use of the Lynchburg Corps gymnasium in no way detracted from the celebration. During the ceremony there were remarks by members of the local Advisory Board and others closely associated with the fund-raising and construction of the $5,000,000 Center of Hope, and a proclamation from the office of the Mayor of Lynchburg, who could not attend due to being on an out-of-town trip, but was ably represented by the Deputy Mayor. The program also featured a vocal solo sung by Major Debbie Cope. The band supported the ceremony with Dance Before the Lord (Peter Graham) presented as a special item, and also provided some music before and after the ceremony, including Joyful, Joyful, The Southern Cross (Brian Bowen), Blessings (Nick Simmons-Smith), The Lord Is Gracious, Motondo and several other items.

Taken all together, the band considered this as one of the best ministry weekends in recent years, well-planned and executed. For budget reasons, the band was not able to hire a coach for the trip, as had been the practice in previous years. Thanks are due to the Arlington Citadel Corps for providing two small buses to transport band members from the Washington area, the Fairfax Corps for providing a van to the Arlington Corps allowing them to release one of the buses, the Washington Metro Area Command for providing the equipment truck, and especially to NCB members Noel Morris, Keith Morris and John Reeves, who volunteered to drive for the weekend.

Richmond Ministry Weekend

The National Capital Band made a long-awaited visit to Richmond, Virginia on the weekend of 21 – 22 February 2009. Preparation for this event began the previous Christmas season when fliers were handed out to those who listened to small Salvation Army ensembles throughout Richmond. Those who came to see the NCB during the ministry weekend were not disappointed.

Saturday 21 February

On Saturday, the band gathered at the Church Hill Outpost (co-located with the Richmond Boys and Girls Club), where they took part in a service commencing about 12:15 p.m. Lieutenant Sheed Tarnue, the officer in charge of the outpost, led the meeting, speaking about cleansing our lives and how having Jesus will make such cleansing possible, including a fascinating illustration using a stained cloth and two large jugs of water. There were about 50 church members, many of them young children, in attendance, who were delighted to hear a full brass band. Participation by the NCB, which was under the direction of the Deputy Bandmaster, Major Dan Proctor, included Shine, Jesus Shine, Lord, I Lift Your Name On High, and Sousa’s classic patriotic march, The Stars and Stripes Forever.

The main event of the weekend was a concert at the Mount Vernon Baptist Church in Glen Allen, Virginia. This was the NCB’s second visit to this church in as many years. With Bandmaster Anderson in front of the band, the concert opened with To a God Like This, followed by the rousing march Rolling Along (William Himes). This march, written for the Flint Citadel corps in Michigan, includes a number of jingles from historic automobile advertisements.

The first soloist of the evening was 16-year-old Kevin Downing, principal trombone, who played the variation solo Count Your Blessings. Kevin’s performance, which showed a musical maturity far beyond his years, was enthusiastically received by the capacity audience. The next item was the arrangement The Lord is Gracious, with principal cornet David Delaney providing a beautiful performance of the daunting melody. Delaney was also featured, along with Chris Dennard and David Mersiovsky, in the next item, the cornet trio The Veterans.

The Salvation Army has established a School for the Performing Arts in the Richmond area, headed by Bandmaster Matt Sims, the area music director (and bass trombone for the National Capital Band). Students from school, which meets in three different Salvation Army locations around the area, had been preparing for a performance with the NCB for several weeks, and their presentation was prefaced by a a video showing some of these preparations. Their “big moment” was performing Classics In Brass with the National Capital Band. This piece, arranged by William Himes, features snippets of well-known classical music, finishing with the “Ode to Joy” from Beethoven’s Ninth Symphony. The children received a standing ovation from the audience of over 750 people, including the band which had accompanied them. It was a remarkable end to the first half of the program to see these children, some of whom had only been playing their instruments for a few weeks, perform so well in front of such a large audience.

Following the intermission, the band opened the second half of the concert with In Good Company (Dudley Bright), an interesting arrangement pairing the Tudor melody “Pastime in Good Company” (attributed by some to Henry VIII) and the contemporary Christian song “Lord, I Lift Your Name On High”. Children from the Richmond Area Command were again featured in the next item, as the timbrel brigade performed to the march California (Emil Söderstrom). The young men of the NCB then showed their vocal skills with the jovial and humorous item Men of the Chorus, ably accompanied on piano by Maria Mathieson. The trombone section was featured in Wonders Begin (Ray Steadman-Allen).

The program then turned to a more contemplative mood, with Kenneth Downie’s beautiful and moving piece, The Father’s Blessing, associated with the words “God be with you till we meet again.” Bandmaster Anderson gave a powerful and moving devotion, remining the audience and the band that there is only one God and one Way to heaven.

The final section of the program, as has become somewhat of a tradition with the National Capital Band, featured patriotic items, beginning with God Bless America (Irving Berlin, arr. William Gordon). The band next played Stephen Bulla’s Armed Forces Salute, a medley featuring the songs of the five United States armed forces. Current and former members of each service in the audience were invited to stand as their song was played, and were enthusiastically greeted by the crowd. The concert concluded with The Stars and Stripes Forever, which concluded with audience rising to their feet to clap along with the band, which turned into a standing ovation following the conclusion of the march.

The audience for the concert was lively and receptive, and was strong in number, almost filling the large church hall. They appreciated the music of the National Capital Band and the participation of the children from the School of Performing Arts was a great topic of conversation after the concert. But the most important aspect of the NCB’s ministry was to play music with the purpose to glorify God and bring a message to the members of the audience.

Sunday, 22 February

On Sunday, the National Capital Band took part in the morning service at the Richmond Citadel Corps. The meeting began with some light and thoughtful preliminary items, concluding with Fanfare Prelude on “Lobe den Herren” (James Curnow). Contributions by the NCB during the service included Standing Somewhere In the Shadows and Bound For the Promised Land. The congregation was also treated to a vocal duet by Wendy Hood and Christina Anderson. Following the message of the morning, given by the NCB’s Executive Officer, the service concluded with the band and congregation joining in O Boundless Salvation. As the congregation started to make their way home the band sent them off with the march Rolling Along.

The whole weekend was a great success for the Richmond Area Command and its School of Performing Arts. The National Capital Band ministered to over 1,000 people combined and during the difficult economic times, it is felt that this ministry was vital to the people of Richmond and central Virginia. The band hopes to return to the area for a Christmas engagement and again sometime in 2010.

New River Valley (Christiansburg)

On the weekend of 3 – 4 March 2007, the National Capital Band (Bandmaster James B. Anderson) journeyed to the New River Valley in southwestern Virginia. The weekend marked the dedication of a new building for the New River Valley Corps, based in Christiansburg. Although this area is a part of the National Capital and Virginia Division, the band has not often played in the Valley.

Following an early-morning departure from the Fairfax Corps, the NCB arrived in Christiansburg in time for an excellent lunch prepared by the local Salvationists, and then made a short journey to the New River Valley Mall. A one-hour concert was scheduled, beginning at 2:00 pm. Items included Sovereignty (Brian Bowen), Since Jesus (Leonard Ballantine), What a Friend (Erik Leidzén), Armed Forces Salute (Stephen Bulla), God With Us (Kirkland/Fettke, arr. Norbury), ’Mid All the Traffic (Leonard Ballantine), Blessings! (Nick Simmons-Smith), and Motondo (Donald Osgood). Three items featuring soloists from the band were also programmed: Major Tony Barrington, euphonium – The Conqueror (Ray Steadman-Allen); Chris Dennard, flügelhorn – Sweet By and By (Leonard Ballantine); and Noel Morris and Ian Anderson, soprano and Bb cornets – Quicksilver (Peter Graham). Although only a few people stood and listened to the entire concert, the mall management estimated that several hundred heard at least a portion.

After checking into the hotel, the band was treated to dinner at a local restaurant, then went to Faith Christian Church on Phlegar Street in Christiansburg, the venue for the evening festival. This church is linked to the Salvation Army in the area, and especially to the Army’s new building, which was previously owned by the church. The evening festival began with Sovereignty, followed by an invocation by the pastor of Faith Christian Church, Clyde George. God With Us and The Conqueror were next, with Lt.-Colonel Barry Swanson (on his first – and last – trip with the NCB, as he has received orders for transfer to International Headquarters) gave a personal testimony. After another sparkling performance of the cornet duet Quicksilver, the first half of the program came to a close with Bandmaster Anderson’s tone poem The Words of the Amen, which will be the title track on the latest NCB recording.

The band got the second half of the program moving with Donald Osgood’s march Motondo, followed by the swing-style Blessings!. The host church was represented by vocal soloist Rosa Eberle, who sang Above All. Deputy bandmaster and principal cornet Ian Anderson presented Ray Bowes’ lyrical Rhapsody for Cornet and Band, just before the band’s Executive Officer, Major James Allison gave a Scripture reading and brief lesson. This led into the flügelhorn feature Sweet By and By and the evening’s final item, Dudley Bright’s tone poem Confrontations, which features the well-known song by Stanley Ditmer, “I’m In His Hands”. The benediction was given by New River Valley corps officer Major John Blevins, and the NCB offered Winchester Revival (Kenneth Downie) as a postlude.

On Sunday morning, the band was treated to a fine country breakfast at the Corps building, complete with musical entertainment from a friend of the corps. Spirits were high despite a severe cold snap which led to slippery roads and some snow flurries – a marked change from the pleasant weather on Saturday.

Usually, when the band does a weekend trip, the entire Sunday morning service is done by the band. On this trip, however, because of the dedication of the new building, the band played a supporting role. Preliminary music included Fanfare Prelude on “Lobe den Herren” (James Curnow), Take Time . . . (Kenneth Downie), and God With Us. The service included participation from the New River Valley corps officers, Majors John and Diana Blevins, members of the local Advisory Board, and divisional leaders Lt.-Colonels William and LaVern Crabson. Band contributions during the service included Blessings! and In Light We Walk (Stephen Bulla), along with accompaniments for congregational songs, which include William Himes’ arrangement of O Boundless Salvation. Another Himes work, The Blessing, was played as a postlude.

With some regular members unable to join the band on the weekend, several people generously came in to fill empty seats. Bethany Mikles (horn) and Patrick Morris (trombone), who are reserve members of the band, were both able to attend the weekend. Others brought in for the event included Darryl Crossland on solo cornet and Art Henry on solo horn.

Weekend in Norfolk and Virginia Beach

The National Capital Band’s fall campaign in the National Capital and Virginia Division took the group to the Hampton Roads area of Virginia, with performances in Norfolk and Virginia Beach. Sponsored by the area command, led by Major Gene Hogg, the weekend consisted of a concert at a local shopping mall, a festival at the Eastminster Presbyterian Church in Virginia Beach, and Sunday morning services at the Norfolk Corps.

Saturday Afternoon Concert

The band gathered at the Fairfax Corps building early on Saturday morning to embark on their trip to Norfolk. The trip south was uneventful, with the bus actually arriving at the first stop, the Military Circle Mall, over a hour ahead of schedule. This allowed for a relaxed setup at the venue, which was a stage constructed in the mall’s food court. The concert commenced promptly at 2:00 p.m., beginning with Brian Bowen’s festival march Sovereignty. This was followed by a swing-style item, Since Jesus (Leonard Ballantine). The band’s principal euphonium, Major Tony Barrington, followed with a fluent performance of a classic solo, The Conqueror (Ray Steadman-Allen). The concert continued in the “classic” mode, with a gem from the pen of Erik Leidzén, What a Friend.

The eleventh of November is a day observed as a holiday in many countries, marking the end of World War I and especially noted as a day for honoring those who have served in the military forces. The band presented Armed Forces Salute, a medley consisting of songs associated with the United States armed forces (Air Force, Coast Guard, Army, Navy, and Marines), arranged by the band’s principal trombone, Stephen Bulla, who is the chief arranger for the United States Marine Band. This was followed by another medley, this one of contemporary Christian melodies entitled God With Us (Camp Kirkland/Tom Fettke, arr. Kevin Norbury). Next was another familiar melody in a simple arrangement by Bandmaster James Anderson, Jesus Loves Me.

A swing-style item from Leonard Ballantine, Sweet By and By, featuring Chris Dennard on flügelhorn, was contrasted with the same composer’s beautiful arrangement of the American folk melody “Shenandoah”, entitled ’Mid All the Traffic. A display of agility and speed on the cornet valves was given by Noel Morris on soprano and Ian Anderson on Bb cornet as they presented the duet Quicksilver (Peter Graham). Another item in a contemporary style, Blessings! (Nick Simmons-Smith) followed, and the concert concluded with a Christmas march by Stephen Bulla, The Bells of Christmas, in anticipation of the upcoming season.

Saturday Evening Festival

After checking in at the hotel and enjoying a meal with some of the local Salvationists, the band made a short trip to the neighboring city of Virginia Beach where the Saturday evening festival was held at the Eastminster Presbyterian Church. A small but appreciative audience was in attendance for the festival. The program for the concert featured many of the same items used in afternoon, including Sovereignty, God With Us, The Conqueror, ’Mid All the Traffic, Quicksilver, The Bells of Christmas, Blessings!, and Sweet By and By. Two major works, each concluding one half of the festival, were added. Just before the intermission, the band presented Bandmaster Anderson’s The Words of the Amen, and the high point of the second half was a seldom-heard gem from the pen of Dudley Bright, Confrontations. Ian Anderson also gave a fine rendition of the Rhapsody for Cornet and Band (Ray Bowes). The concert concluded with a congregational song, All Hail the Power of Jesus’ Name. Kenneth Downie’s march Winchester Revival was the postlude.

Sunday Morning Worship

The weekend concluded with worship services at the Norfolk Corps on Sunday morning. The entire service was conducted by the band, with Executive Officer James Allison being the featured speaker. A highlight of the meeting was the recognition of long-time NCB trombonist Joe DeMato, who retired from the band (after more than 25 years of service) over the summer. The recognition was presented by former NCB member Lt.-Colonel J. B. Matthews, who was the Executive Officer when Joe joined the NCB in 1978.

The band provided a large amount of music before and during the service, including Fanfare Prelude on “Lobe den Herren” (James Curnow), ’Mid All the Traffic, and God With Us as preliminary musi. Two feature items Take Time . . . (Kenneth Downie) and the cornet solo I’d Rather Have Jesus (William Himes) played by Ian Anderson, were used during the service. A number of congregational songs using extended arrangements were also presented, including Prayer of Thanksgiving (William Himes), All Hail the Power of Jesus’ Name, Lord, I Lift Your Name On High, and O Boundless Salvation.