Tag Archives: David Mersiovsky

Second Annual Youth Band Day

For the second consecutive year, the National Capital Band (Bandmaster Dr. Steve Kellner) held a Youth Band Day in the Washington, DC metro area. This year’s event was held at the Eugene B. Casey Center for Worship and Service (Montgomery County Corps) in Germantown, Maryland, on Saturday, 2 April 2011, with more than 65 young people and other music students in attendance.

The NCB has established this as an annual event to showcase the young people of the area, providing them with specialized instruction and an opportunity to perform in a public concert. This is in addition to the continuous support given to local music programs given by NCB members throughout the year – in fact, each group featured in the Grand Concert at the end of the event was led by a member of the National Capital Band.

Bandmaster Kellner showing breathing exercises

Bandmaster Kellner showing breathing exercises

The event began with a combined session in the Corps hall, where Bandmaster Kellner gave a short talk on proper breathing for brass players and warm-up techniques. The assembled students were then divided into a number of classes, with members of the National Capital Band as instructors. Each student was provided with a packet, graded according to their current level of musical skill, which was used by the instructors during the classes.

Kevin Downing (right) gives a trombone lesson

Kevin Downing (right) gives a trombone lesson

After the classes, which were 75 minutes in length, the groups adjourned to the gymnasium for lunch. Following the meal, each participating youth band was given a rehearsal space, with approximately an hour of time to rehearse their items for the event’s finale, the Grand Concert.

The Grand Concert began with the National Capital Band playing The Risen Savior (Paul Kellner), followed by words of welcome from Major Jonathan McBride, corps officer of the host corps, and a prayer from NCB euphoniumist Ian Chaava.

David Mersiovsky teaches a cornet class

David Mersiovsky teaches a cornet class

The body of the concert consisted of performances by a number of youth bands from corps in the Washington, DC metro area, beginning with the group from Alexandria Citadel. This ensemble, led by Bandmaster David Downing, played Kearny Youth (Stephen Bulla) and Hand Me My Trumpet (Ivor Bosanko). Next up were the MoCo First Timers, led by Bandmaster David Delaney. They presented a medley, Amazing Grace & Onward Christian Soldiers (arr. David Mersiovsky).

Following another item from the National Capital Band, Deep River (William Broughton), the next two youth bands presented their items. First was the group from the Solomon G. Brown Center (Southeast Corps), led by Bandmaster Danielle Ashton, playing Alleluia and When the Saints Go Marching In. Next up were Bandmaster David Mersiovsky and the group from the Fredericksburg Corps. They presented a medley, Ode to Joy & Hot Cross Buns in the Minor (arranged by Bandmaster Mersiovsky) and a short rendition of God Is So Good.

Bandmaster David Downing conducts the group from Alexandria Citadel

Bandmaster David Downing conducts the group from Alexandria Citadel

Once again, the National Capital Band presented an item as the youth bands exchanged places, this time offering Bandmaster James Anderson’s timeless arrangement of Jesus Loves Me. First up in this set was the band from the Fairfax Corps, led by Bandmaster Scott Bedio, playing The HCB Opus (S. Bedio), an exposition on “Hot Cross Buns”. The final local group to perform was the Montgomery County Corps Band, under the direction of Bandmaster David Delaney. Although not technically a youth band, this group has a high percentage of young people. They offered Morning Glory (James Anderson).

The concert ended with two special items. The National Capital, augmented by ten of the most advanced students, played God’s Children (William Himes). Then all of the students formed a massed band in front of the platform. With the NCB as accompaniment, they presented William Himes’ arrangement Classics in Brass as the finale to the day. Following a benediction by NCB executive officer Major James Allison, the NCB capped the event with a postlude, Goldcrest (James Anderson).

Annual Band Dinner 2010

Traditionally, the National Capital Band ends each season with a dinner for the members and guests. In 2010, the dinner was held two weeks early because the last event of the season is a ministry trip to Scranton, Pennsylvania at the end of May. This year’s dinner was held at Maggiano’s in the Tysons Galleria. Notable events on the evening included the award of Bob’s Big Note, a farewell presentation to Captain Mike Harris, and the announcement by Bandmaster James Anderson that he is retiring at the end of this season.

This was not the first time that the annual dinner had been held at Maggiano’s, and as always, the food was excellent. Stuffed mushrooms, fried mozzarella covered with fresh marinara, and two types of salad began the meal. There were three main courses, served on large platters so that each diner could partake of each if they wished, including roast pork, beef with peppers, and lasagna. The desserts were special, with a rich chocolate cake and a surprising light cheesecake.

The dinner began with the band and guests singing the blessing (’Be Present at Our Table, Lord”) to the tune “Duke Street”, with some rather complex harmony. Since the focus of the dinner is fellowship, there was not much of a program, with only a few scripted events.

David Mersiovsky (left) receives Bob’s Big Note from Dave Downing

David Mersiovsky (left) receives Bob’s Big Note from Dave Downing

One of the traditions of the National Capital Band is the annual award of Bob’s Big Note. Begun by long-time Band Secretary and principal cornet Bob Goodier at his farewell dinner in 2000, the Note showcases a member of the band who has exhibited Christian faith and commitment to the band during the season, without being in the forefront. The Note itself is a simple brass paperweight in the shape of a musical note. One important feature of the award is that the current holder chooses the next recipient - there is no involvement by the Band Board or leadership in the selection.

The current holder of the Note was Dave Downing. After Mike Harris gave a brief description of the history of the Note, Dave presented the Note to David Mersiovsky.

Captain Mike Harris

Captain Mike Harris

Band Chaplain Captain Mike Harris is one of the veterans of the National Capital Band, having served for several years before entering the ministry and again after being appointed to the Fredericksburg Corps. He and his wife have recently been appointed as corps officers in Hickory, North Carolina, and Bandmaster Anderson presented him with a special framed print of a three-part painting created by former band member Laura Boutchyard.

One of the traditional moments at the Band Dinner is a speech by the bandmaster. Bandmaster Anderson began with a reprise of the highlights of the past six seasons, including the trip to New York in the spring of 2005, the visit to the Great American Brass Band Festival in Kentucky, recording The Words of the Amen, the visit to Michigan and the tour of Switzerland and France in 2007, the recent recording sessions for the upcoming Christmas album, and the many ministry weekends the band has undertaken under his leadership. He then announced that he will retire at the end of the season, relinquishing both the leadership of the National Capital Band and the position of Divisional Music Director.

Bandmaster James Anderson announces his retirement

Bandmaster James Anderson announces his retirement

To conclude the dinner, executive officer Major James Allison gave a devotional thought and thanked the members of the band and their families for the commitment shown during the past season.

Major James Allison

Major James Allison

Worship Service at Solomon G. Brown Corps

This is the third of three articles on the National Capital Band’s “Bravo Brass!” ministry weekend in the Washington, DC metro area, 10 – 11 April 2010.

The finale of the National Capital Band’s Bravo Brass! Weekend was a worship service on Sunday, 11 April 2010, at the Solomon G. Brown (Southeast) Corps in Washington, DC. Located in the heart of the Anacostia neighborhood in the Southeast quadrant of the city, this is the newest corps building in the metro area, with the corps occupying two floors of a five-story building, with the rest of the building occupied by paying business tenants, an innovative arrangement for a Salvation Army building.

The members of the band were greeted by the corps officer, Lieutenant Michal Chapman as they arrived for the Sunday holiness meeting. The platform area of the sanctuary is not large enough for a full-size brass band, so the NCB set up to one side. As with the rest of the weekend, Bandmaster James B. Anderson was unable to be present, being out of town for medical treatment. Conducting duties for the meeting were shared between Deputy Bandmaster Matt Sims and principal euphonium Steve Kellner.

The band began with some preliminary items, including James Curnow’s Fanfare Prelude on “Lobe den Herren”. Following a welcome and announcements by Lieutenant Chapman, the Corps Sergeant-Major, George Beu, accepted the tithes and offerings. As an offertory, the band presented the trombone feature I Will Follow Him (arr. Goff Richards).

The National Capital Band is blessed with many versatile musicians, and the NCB Praise Team (Captain Amy Reardon, vocals; Captain Rob Reardon, keyboard; Deputy Bandmaster Matt Sims, bass guitar; Keith Morris, drum kit; David Delaney and David Mersiovsky, trumpet; and Kevin Downing, trombone) led the congregation in the contemporary worship songs Hosanna! (Paul Baloche/Benton Brown) and You Are My King (Billy James Foote). The congregation was also given the opportunity to sing with the full band using Charles Skinner’s arrangement of Crown Him with Many Crowns.

The program then took on a more devotional character, with a personal testimony given by David Mersiovsky, a prayer chorus (“Turn Your Eyes upon Jesus”) and prayer led by Noel Morris, the congregational song “And Can It Be” using the William Himes arrangement entitled Amazing Love, and a Scripture reading given by David Delaney.

The Scripture reading was followed by Delaney’s sensitive rendition of the cornet solo I’d Rather Have Jesus (William Himes), a fitting introduction to the message of the morning given by the band’s executive officer, Major James Allison. Major Allison, in his usual relaxed manner, was effective in presenting the Gospel message, as evidenced by the several seekers who came forward during the time of commitment.

Before the final congregational song, O Boundless Salvation (arr. William Himes), Major Allison called Bandmaster Anderson, who was in Houston, Texas, for medical treatment. In one of the most moving experiences in the recent history of the band, all present were privileged to have the bandmaster participate in the singing of the concluding song and give the benediction from a hospital thousands of miles away. We learned later that Bandmaster Anderson was in the day room, with several other patients present, during this time, and that he, in his usual bold fashion, sang along and prayed aloud without any sign of embarrassment or timidity. The meeting ended with a prayer for Bandmaster Anderson given by the band chaplain, Captain Mike Harris, and the postlude, Rolling Along (William Himes).

As the band concluded this special ministry weekend, contributions by several guest players were acknowledged, including Darryl Crossland and Steve Sutton on cornet and Dr. Richard Holz on Bb bass.

Covington Ministry Weekend

On the weekend of 20 – 21 February 2010, the National Capital Band (Bandmaster James B. Anderson) traveled to Covington, Virginia, to support the celebration of the dedication of a new Salvation Army building.

Covington is a small city in southwestern Virginia. The Salvation Army “opened fire” there in 1926 and purchased a building on Highland Avenue at that time. Over 80 years later, this building was still in use, despite having been obsolete for decades. The new building dedicated on this weekend is the first phase of three planned segments, with a chapel and gymnasium still to be built. The campaign to make the progress seen so far has been quite long and difficult, with many of the other corps in the National Capital and Virginia Division contributing toward the effort, as well as donations from local businesses and individuals in Covington and the nearby town of Clifton Forge.

Saturday, 20 February 2010

Unlike many of the weekend engagements undertaken by the National Capital Band, this one did not feature a Saturday evening concert. Instead, the band supported the local Salvation Army’s appreciation dinner for Advisory Board members, donors and members of the community who supported the campaign to build the new facility. The band arrived in Covington early in the afternoon and members were able to spend a couple of hours relaxing at the hotel before going to the Covington Baptist Church for the dinner. Some time was spent in setting up, as the room was quite small for a band of this size, but a satisfactory arrangement was made. The band then ate dinner and returned to the formation as the guests began to arrive.

As the dinner guests came in, the band provided some music, including Cornerstone (Andrew Mackereth), God Bless America (Irving Berlin, arr. William Gordon), My Tribute (Andrae Crouch, arr. Kevin Norbury) and Cause for Celebration (William Himes). Captains Karl and Janice Dahlin, corps officers for Covington, gave some words of welcome, which were followed by an invocation given by the chairman of the Advisory Board, Reverend Bill Hartsfield.

As the guests were served, the band continued with Bugler’s Holiday (Leroy Anderson), featuring David Delaney, David Mersiovsky and Chris Dennard. Other items in this segment included Swedish Folk Song (arr. Peter Graham), What a Friend (Erik Leidzén) and another time through My Tribute, especially requested by the band’s executive officer, Major James Allison.

Two special feature items were presented by the band during the dinner. The first, I Will Follow Him (from the movie “Sister Act”) featured the trombone section (Kevin Downing, Maria Mathieson, Ellim Choi and Matt Sims). The second required the men of the band to showcase their vocal talents with the light-hearted Men of the Chorus (accompanied on piano by Christina Anderson).

Most of the officers on the divisional staff were present for the event, including the Divisional Commander and his wife, Majors Mark and Alice Bell. The Salvation Army in Covington has struggled financially for many years, as the region is not strong economically and the needs are great. During this a considerable debt from the local corps to Divisional Headquarters has built up, as the headquarters covered operating expenses that could not be met by the corps fund-raising efforts. In a move that surprised everyone in the room, Major Mark Bell announced that all of the debt which had been carried on the books from the Covington Corps to Divisional Headquarters was cancelled – $61,000 for the local thrift store and $129,000 for the corps operations. He also presented a check for $10,000 to the corps officers, the first $2,500 of which was earmarked to stock the corps food bank used to help those in need of nutritional assistance, and the rest to begin operations in the new building “in the black.”

The campaign to raise the funds to build the first phase of the project in Covington was long, again owing the to economic condition of the surrounding area. The building being dedicated on this weekend was only the first phase of the project, with a chapel and gymnasium also planned. In another surprise, Major Bell also announced that the remaining work on building the chapel, estimated to cost $205,000, would also be financed by Divisional Headquarters.

One of the guests at the dinner was the Mayor of Covington, Stephanie Clark. In addition to being a civic leader, the Mayor is an evangelical Christian. She had heard the band playing My Tribute during the dinner, and asked if she could sing with the band before she made her remarks to the gathering. So, for the third time, the band played this piece, with the Mayor contributing soulful and powerful vocals. The band played another feature, Dance Like David (Andrew Mackereth) before the end of the dinner. Following special remarks and a challenge to the Covington community to complete the project by building the gymnasium, Major Allison, Major Bell and the rest of the Salvationists present joined the band in leading the congregation in O Boundless Salvation, using William Himes’ excellent arrangement as the accompaniment.

Sunday, 21 February 2010

On Sunday morning, the members of the band formed up near the old corps building on Highland Avenue, with members of the divisional staff and the Covington corps. They stepped off sharply on a march of witness through the streets, marching from the old corps building to the new, a distance of slightly less than half a mile. Marching to old favorite hymn tunes such as “All for Jesus” and “Onward, Christian Soldiers”, the parade ended in the small parking area in front of the new building, with the band playing the classic march Golden Jubilee and then the assembled Salvationists saluting as the Covington corps flag entered the new building for the first time.

Since the chapel portion of the project has not been completed, the Sunday morning service was held in a multi-purpose room in the new building. The room lacks a platform, but the holiness table and Mercy Seat from the old corps had been transferred and placed at the front of the room, and there was just enough room on the side to set up the band formation.

The band opened the worship with some preliminary music, including Be Thou My Vision, Jesus Loves Me and ’Mid All the Traffic. During the meeting the band featured Swedish Folk Song as an offertory, and members of the band formed into a chorus to sing The Saviour’s Name (Clarke, arr. Ballantine).

Several testimonies were given by officers who had been associated with the Covington corps over the years, including Major Eric Roberts and Major Linda Sloan. The most moving of the testimonies was that of Major Jim McGee, who described coming to Covington as a railway worker, becoming saved in a watchtower on the rail yard, finding the Salvation Army as a church and eventually becoming an officer. Corps Sergeant-Major Robin Hall also spoke eloquently about her long association with the corps, and was named “Soldier of the Year”. Mike McCulley of the Covington Corps contributed to the meeting by singing Who Am I?.

Major Mark Bell gave a challenging message, which was followed by the band and congregation joining for O Boundless Salvation, with Bandmaster Anderson stepping away from the band for the last verse to wave the Corps flag in the traditional salute associated with the Founder’s song. The band played Washington Salute 125 (Stephen Bulla) as a postlude.

This ministry weekend, while not a typical one for the National Capital Band, was a rewarding one as the band supported one of the smaller corps in the division during an extremely important weekend for both the corps and the city of Covington.

2009 Community Appreciation Christmas Concert

The National Capital Area Command held its annual Community Appreciation Christmas Concert, featuring the National Capital Band (Bandmaster James B. Anderson), on Sunday, 13 December 2009.

Other performers included mezzo-soprano Sara Dell’Omo, junior soloist David S. Carroll, the DC Metro Timbrelists led by Elsie Morris and The Singin’ Eagles of C. Hunter Ritchie Elementary School led by Steve Aiello.

Held in the auditorium of the historic George Washington National Masonic Memorial in Alexandria, Virginia, a capacity audience of nearly 400 persons were present for this year’s concert. Following words of welcome from the Area Commander, Major Steve Morris, the National Capital Band began the evening with Fanfare Jubiloso (James Curnow). This was followed by the first of several “carols for all”, O Come, All Ye Faithful (arr. Willcocks, trans. James Anderson). Major Wendy Morris then gave an invocation. The concert continued with the band’s performance of On Christmas Day (Stephen Bulla).

For the past several years, it has been the tradition at this event to feature a junior vocal soloist, to sing Away in a Manger. This year, the soloist was Daniel Carroll, whose parents are officers at the Harbor Light Center in Washington. Following his excellent performance, Daniel was interviewed by Bandmaster Anderson and given the opportunity to lead the congregation in a verse of the song.

The National Capital Band has a number of talented soloists, and the next item, Leroy Anderson’s well-known trumpet trio, Bugler’s Holiday, featured three of them – David Delaney, David Mersiovsky and Chris Dennard. Their performance was met with much applause from the audience.

For the past several years, this event has featured mezzo-soprano Sara Dell’Omo, who is a featured vocal soloist with the US Marine Band and White House Orchestra (“The President’s Own). Her first contribution to this year’s concert was the medley Season of Christmas (Stephen Bulla), which includes the songs We Need a Little Christmas, Pine Cones and Holly Berries and Have Yourself a Merry Little Christmas.

Following Silent Night sung as a congregational carol, the next guest performers were introduced. For the past two years, the National Capital Band has partnered with the Warrenton Chorale for a concert in the autumn. The director of the chorale, Steve Aiello, is a school music teacher, and for the Christmas concert this year the “Singin’ Eagles” of C. Hunter Ritchie Elementary School were invited to participate. Looking sharp in their green vests and purple bowties, the young vocalists presented two items in their first set, Christmas A-Comin’ (Carl Strommen) and The Animal’s Lullaby (Cynthia Gray).

The National Capital Band continued the program with Feliz Navidad (José Feliciano, arr. Dorothy Gates). It has been a feature of the annual Christmas concert since the beginning to have a timbrel group made up of performers from various Salvation Army corps in the Washington area. This year they performed a routine, accompanied by the band, to Peter Graham’s march The Shining Star.

Another item which has become an audience favorite during the annual concert is singing The Twelve Days of Christmas. With the band accompanying (using Bandmaster Anderson’s transcription of the John Rutter arrangement), the audience is taken through all twelve days, with a surprise accelerando on Day 12 that prompted some mock anger on the part of bandmaster. Following this, the concert was brought back to a somewhat more serious mood with Sara Dell’Omo’s second offering, O Holy Night, and Robert Redhead’s suite The Joy of Christmas presented by the band. This led into an inspirational message from Major Steve Morris.

The choir returned with Laudamus Te (Ruth Elaine Schramm) and Play for Me a Simple Melody, which concluded with three different lines being sung at the same time, an impressive performance for any choir, but made more so by the fact that this choir is made up of students 12 years old and younger. A final congregational carol, Hark the Herald Angels (arr. Willcocks, trans. Anderson), finished the concert and the National Capital Band’s executive officer, Major James Allison, gave the benediction. As the crowd departed, the band presented Season’s Greetings (James Anderson) as a postlude.

Mini-Concert at Maryland ARC

Bandmaster James B. Anderson and the National Capital Band made their final rehearsal of 2009 into a special event at the Adult Rehabilitation Center in Hyattsville, Maryland. At the invitation of Majors Paul and Dawn McFarland, the band changed its rehearsal venue from Divisional Headquarters to the chapel at the ARC on Monday, 7 December 2009, using the latter part of the rehearsal time as a mini-concert for the residents of the center.

After some challenges fitting the band formation onto the platform in the ARC chapel, Bandmaster Anderson took the band through an abbreviated rehearsal, using slightly more than half the normal 2 hours. Residents from the ARC took their seats gradually during this time. After the rehearsal portion of the evening was complete, principal baritone Robert Schramm gave a short devotion, for both the members of the band and the residents already in the hall, which focused on the story of the well-loved Christmas carol O Come, All Ye Faithful.

The mini-concert began with a congregational carol, Hark, the Herald Angels Sing (arr. Willcocks, trans. James Anderson). This was followed by the march The Shining Star and Robert Redhead’s suite The Joy of Christmas. Three members of the band’s solo cornet bench, David Delaney, David Mersiovsky and Chris Dennard, presented the classic trumpet trio Bugler’s Holiday (Leroy Anderson). The band followed with its last item of the short concert, Feliz Navidad (José Feliciano, arr. Dorothy Gates), which generated extended applause from the audience. The concert concluded with another congregational carol, The Twelve Days of Christmas (arr. Rutter, trans. James Anderson), with the usual “surprise” accelerando on Day 12.

Christmas Joy in Richmond

The National Capital Band (Bandmaster James B. Anderson) traveled to St. Mary’s Catholic Church in Richmond, Virginia, on Saturday, 5 December 2009 for a concert entitled “Christmas Joy”.

Despite some rather nasty weather, with rain and a threat of snow, the members of the band arrived in good order at the church at noon, with the concert scheduled to begin at 2:45 pm. The first order of business was a lunch, provided by the Salvation Army Womens’ Auxiliary. The the band set up and did some sound checks in the sanctuary. While the church is a beautiful place, it was somewhat difficult to adjust to the nearly 6-second reverberation time.

By the time that the concert began, nearly 800 people had gathered to listen, despite the increasingly wintry weather. In addition to the National Capital Band, the concert featured young musicians from the Richmond area. The Salvation Army in Richmond has established a School for the Performing Arts, under the direction of area music director Bandmaster Matt Sims, and the fruits of that program were evident in the fine performances of the youth band (conducted by Bandmaster Brad Ford) and the youth chorus (conducted by Bandmaster Sims). A group of four timbrelists from Richmond presented a routine to the march Christmas Joy, accompanied by the National Capital Band.

Other highlights of the concert included the classic Leroy Anderson trumpet trio Bugler’s Holiday, performed with style by David Delaney, David Mersiovsky and Chris Dennard, and the band’s performance of the suite The Joy of Christmas (Robert Redhead). As with many Christmas concerts, the audience joined in several times to sing carols. The most notable of these was The Twelve Days of Christmas (arr. John Rutter, trans. James Anderson) with Bandmaster Anderson’s usual showmanship with a large accelerando on Day 12, and then reminding the audience that they must “watch the conductor!”

By the end of the concert, snow was falling outside, but this did not detract from the message conveyed to the enthusiastic audience by the National Capital Band and the other participants in the event.

Weekend of Hope in Lynchburg

The National Capital Band (Bandmaster James B. Anderson) traveled to the city of Lynchburg, Virginia for a ministry weekend, 2 – 3 May, 2009. The primary reason for the band’s visit was the celebration of the opening of a new Salvation Army facility in Lynchburg, the Center of Hope. Located next to the existing Lynchburg Corps building on Park Avenue, this center replaces aging shelter and other buildings in the city.

The first event of the weekend was Community Appreciation Concert, held at the Heritage United Methodist Church. The concert, which was free to the public as an expression of the Salvation Army’s appreciation for the large amount of community support for the Center of Hope Project, generated a near-capacity audience of 350.

Despite being somewhat hampered by an unusual seating formation, forced by the unusual shape of the platform at the church, the NCB gave a strong performance, commencing with Dudley Bright’s mixture of Tudor English and contemporary Christian melodies, In Good Company. Following an invocation and words of welcome from Major David Cope, commanding officer in Lynchburg, the band continued with the festival march Rolling Along (William Himes).

The first soloist feature of the evening was the exciting euphonium solo The Better World, played with dexterity and sensitivity by Sam Funkhouser. This was followed by William Himes’ re-telling of the story of the battle of Jericho in words and music, Jericho Revisited, featuring Captain Michael Harris as narrator.

A large part of the ministry of the National Capital Band is the personal commitment of the members to their faith. A feature of most NCB concerts is a personal testimony by one of the members. On this occasion, one of the younger members of the band, Ian Chaava, gave a short but moving presentation. Following Ian’s testimony, another feature item was presented, the cornet trio Sweetest Name (Howard W. Evans), with soloists David Delaney, Chris Dennard and David Mersiovsky. The first half of the program concluded with Musicmaker, Peter Graham’s tribute to the musical contributions of General John Larsson.

Following the intermission, the NCB started off the second half of the program with Bandmaster Anderson’s march Goldcrest, many of the audience singing along with the theme “I’ve Got the Joy, Joy, Joy.” This was followed by what might be considered the major work of the evening, another offering by William Himes, the suite To the Chief Musician. This demanding work again showed the narration skills of Captain Michael Harris, used the band for chanting and singing, and featured Christina Anderson as vocal soloist in the second movement.

The trombone section was featured in the next item, Wonders Begin (Ray Steadman-Allen). Following this, the band moved into “swing mode” for Leonard Ballantine’s arrangement of the spiritual Wade in the Water. The band’s Executive Officer, Major James Allison, gave a short devotional message after this item.

The concert concluded, as do many NCB concerts, with patriotic music, beginning with William Gordon’s arrangement of God Bless America. This was followed by a medley of songs associated with the United States military, Armed Forces Salute (Stephen Bulla). This piece, which includes the songs associated with the five branches of the US Armed Forces (Air Force, Coast Guard, Army, Navy and Marines), is often featured on NCB programs. The band’s tradition is to have members of the audience who are current or former members of the military stand as the song for their branch is played to receive the recognition of the audience. This is a popular part of the NCB concerts, and this time was no exception.

Following the benediction, the band gave the final patriotic number, perhaps the most recognized of all American marches, John Philip Sousa’s The Stars and Stripes Forever. The audience responded with a standing ovation, and the band played the march Motondo as an encore.

On Sunday morning, the NCB conducted worship services at the Lynchburg Corps. The holiness meeting was celebratory in nature, keeping in step with the theme of the weekend. The band presented Bound for the Promised Land (Paul Drury) and Our God Reigns (James Anderson) as preliminary items. Following some words of welcome and the taking of the offering, the congregation participated in singing Crown Him with Many Crowns (with the band accompanying using Charles Skinner’s stirring arrangement) and Shout to the Lord. Sam Funkhouser gave an excellent personal testimony detailing his journey from faith to doubt and returning to an even stronger faith.

The Scripture lesson of the morning, John 21:15–22, was preceded by David Delaney’s sensitive playing of the cornet solo I’d Rather Have Jesus (arr. William Himes). Following the Scripture reading, the trombone section was featured in Goff Richards’ arrangement of I Will Follow Him, as featured in the film “Sister Act”. This item was specifically requested by the speaker for the morning, Major James Allison, fitting in perfectly with the sermon entitled Jesus Said, “Follow Me”. Following the sermon and altar call (which featured a moving vocal solo by Kirby Crews of the Lynchburg Corps), the meeting concluded with the congregation and band joining together for O Boundless Salvation, with the band playing William Himes’ arrangement of the Founder’s Song. As a postlude, the band ended the morning service with The Father’s Blessing (Kenneth Downie).

The final event of the weekend, a ribbon-cutting and dedication of the new Center of Hope building, was unfortunately driven indoors by heavy rains. However, the use of the Lynchburg Corps gymnasium in no way detracted from the celebration. During the ceremony there were remarks by members of the local Advisory Board and others closely associated with the fund-raising and construction of the $5,000,000 Center of Hope, and a proclamation from the office of the Mayor of Lynchburg, who could not attend due to being on an out-of-town trip, but was ably represented by the Deputy Mayor. The program also featured a vocal solo sung by Major Debbie Cope. The band supported the ceremony with Dance Before the Lord (Peter Graham) presented as a special item, and also provided some music before and after the ceremony, including Joyful, Joyful, The Southern Cross (Brian Bowen), Blessings (Nick Simmons-Smith), The Lord Is Gracious, Motondo and several other items.

Taken all together, the band considered this as one of the best ministry weekends in recent years, well-planned and executed. For budget reasons, the band was not able to hire a coach for the trip, as had been the practice in previous years. Thanks are due to the Arlington Citadel Corps for providing two small buses to transport band members from the Washington area, the Fairfax Corps for providing a van to the Arlington Corps allowing them to release one of the buses, the Washington Metro Area Command for providing the equipment truck, and especially to NCB members Noel Morris, Keith Morris and John Reeves, who volunteered to drive for the weekend.

Richmond Ministry Weekend

The National Capital Band made a long-awaited visit to Richmond, Virginia on the weekend of 21 – 22 February 2009. Preparation for this event began the previous Christmas season when fliers were handed out to those who listened to small Salvation Army ensembles throughout Richmond. Those who came to see the NCB during the ministry weekend were not disappointed.

Saturday 21 February

On Saturday, the band gathered at the Church Hill Outpost (co-located with the Richmond Boys and Girls Club), where they took part in a service commencing about 12:15 p.m. Lieutenant Sheed Tarnue, the officer in charge of the outpost, led the meeting, speaking about cleansing our lives and how having Jesus will make such cleansing possible, including a fascinating illustration using a stained cloth and two large jugs of water. There were about 50 church members, many of them young children, in attendance, who were delighted to hear a full brass band. Participation by the NCB, which was under the direction of the Deputy Bandmaster, Major Dan Proctor, included Shine, Jesus Shine, Lord, I Lift Your Name On High, and Sousa’s classic patriotic march, The Stars and Stripes Forever.

The main event of the weekend was a concert at the Mount Vernon Baptist Church in Glen Allen, Virginia. This was the NCB’s second visit to this church in as many years. With Bandmaster Anderson in front of the band, the concert opened with To a God Like This, followed by the rousing march Rolling Along (William Himes). This march, written for the Flint Citadel corps in Michigan, includes a number of jingles from historic automobile advertisements.

The first soloist of the evening was 16-year-old Kevin Downing, principal trombone, who played the variation solo Count Your Blessings. Kevin’s performance, which showed a musical maturity far beyond his years, was enthusiastically received by the capacity audience. The next item was the arrangement The Lord is Gracious, with principal cornet David Delaney providing a beautiful performance of the daunting melody. Delaney was also featured, along with Chris Dennard and David Mersiovsky, in the next item, the cornet trio The Veterans.

The Salvation Army has established a School for the Performing Arts in the Richmond area, headed by Bandmaster Matt Sims, the area music director (and bass trombone for the National Capital Band). Students from school, which meets in three different Salvation Army locations around the area, had been preparing for a performance with the NCB for several weeks, and their presentation was prefaced by a a video showing some of these preparations. Their “big moment” was performing Classics In Brass with the National Capital Band. This piece, arranged by William Himes, features snippets of well-known classical music, finishing with the “Ode to Joy” from Beethoven’s Ninth Symphony. The children received a standing ovation from the audience of over 750 people, including the band which had accompanied them. It was a remarkable end to the first half of the program to see these children, some of whom had only been playing their instruments for a few weeks, perform so well in front of such a large audience.

Following the intermission, the band opened the second half of the concert with In Good Company (Dudley Bright), an interesting arrangement pairing the Tudor melody “Pastime in Good Company” (attributed by some to Henry VIII) and the contemporary Christian song “Lord, I Lift Your Name On High”. Children from the Richmond Area Command were again featured in the next item, as the timbrel brigade performed to the march California (Emil Söderstrom). The young men of the NCB then showed their vocal skills with the jovial and humorous item Men of the Chorus, ably accompanied on piano by Maria Mathieson. The trombone section was featured in Wonders Begin (Ray Steadman-Allen).

The program then turned to a more contemplative mood, with Kenneth Downie’s beautiful and moving piece, The Father’s Blessing, associated with the words “God be with you till we meet again.” Bandmaster Anderson gave a powerful and moving devotion, remining the audience and the band that there is only one God and one Way to heaven.

The final section of the program, as has become somewhat of a tradition with the National Capital Band, featured patriotic items, beginning with God Bless America (Irving Berlin, arr. William Gordon). The band next played Stephen Bulla’s Armed Forces Salute, a medley featuring the songs of the five United States armed forces. Current and former members of each service in the audience were invited to stand as their song was played, and were enthusiastically greeted by the crowd. The concert concluded with The Stars and Stripes Forever, which concluded with audience rising to their feet to clap along with the band, which turned into a standing ovation following the conclusion of the march.

The audience for the concert was lively and receptive, and was strong in number, almost filling the large church hall. They appreciated the music of the National Capital Band and the participation of the children from the School of Performing Arts was a great topic of conversation after the concert. But the most important aspect of the NCB’s ministry was to play music with the purpose to glorify God and bring a message to the members of the audience.

Sunday, 22 February

On Sunday, the National Capital Band took part in the morning service at the Richmond Citadel Corps. The meeting began with some light and thoughtful preliminary items, concluding with Fanfare Prelude on “Lobe den Herren” (James Curnow). Contributions by the NCB during the service included Standing Somewhere In the Shadows and Bound For the Promised Land. The congregation was also treated to a vocal duet by Wendy Hood and Christina Anderson. Following the message of the morning, given by the NCB’s Executive Officer, the service concluded with the band and congregation joining in O Boundless Salvation. As the congregation started to make their way home the band sent them off with the march Rolling Along.

The whole weekend was a great success for the Richmond Area Command and its School of Performing Arts. The National Capital Band ministered to over 1,000 people combined and during the difficult economic times, it is felt that this ministry was vital to the people of Richmond and central Virginia. The band hopes to return to the area for a Christmas engagement and again sometime in 2010.