Tag Archives: Matt Sims

Christmas Concerts 2011

The National Capital Band (Bandmaster Dr. Steve Kellner) performed at two annual events during the Christmas season of 2011, including a concert in Richmond, Virginia and a performance at the Willard Intercontinental Hotel in Washington, DC.

Richmond – Saturday, 3 December 2011

The Christmas concert in Richmond has become a traditional annual event. Expertly organized by Bandmaster Matt Sims, the music director for the Salvation Army’s Central Virginia area command (area commanders Captains David and Dawn Worthy), the concert has drawn a crowd of several hundred each year it has been held. This year, the concert was again held at St. Mary’s Catholic Church, and the master of ceremonies was popular Richmond radio personality Kat Simons, who is the midday host on Lite98.

The concert began with Kenneth Downie’s Intrada on “Regent Square”, immediately followed by a congregational carol, “O Come, All Ye Faithful”. A Christmas Festival (Leroy Anderson, arr. Andrew Duncan) was up next. This ebullient medley of familiar carols is a classic American favorite.

Remaining in a joyous spirit, the band next presented the third movement of James Curnow’s A Christmas Triptych, “Good King Wenceslas”. Principal euphonium Joel Collier then gave a dexterous rendition of Ding Dong Merrily on High (Douglas Court).

Under the direction of Bandmaster Sims, the Richmond area Salvation Army has a strong School of the Performing Arts. A group of students from the school, augmented by some youngsters from the host church, sang Christmas Medley (arr. Steve Kellner) accompanied by the band. The first half of the program concluded with a classical note, with Farandole (Georges Bizet, arr. Richard Phillips), sometimes known as March of the Three Kings.

Bandmaster Kellner started off the second half of the program with the march medley Season’s Greetings (James Anderson) and another congregational carol, “Joy to the World”. Two contrasting arrangements were then offered. First was a contemporary arrangement of Carol of the Bells (Darrol Barry), with a jazz break inserted into the familiar pattern. Next was Erik Leidzén’s classic arrangement of the well-loved carol Silent Night. The concert continued with The Message of Christmas (William Himes).

In a glorious finale to the afternoon, the congregation joined with the band, singing Handel’s majestic Hallelujah Chorus (arr. Arthur Goldsmith). Several hundred voices and the powerful sound of the brass band joined in the spacious sanctuary, echoing for quite some time after the last chord.

Washington – Sunday, 4 December 2011

Since 2001, the National Capital Band has held an annual Community Appreciation Christmas Concert. This event, which is a “thank you” to members of the public for their generous donations throughout the year, is now organized by the National Capital Area Command (area commanders Majors Steve and Wendy Morris). This year, the event moved to a new venue, the grand ballroom of the historic Willard Intercontinental Hotel, with 500 people in attendance. Located just one block east of the White House, the Willard is the jewel of Washington hotels, frequently hosting visiting heads of state and other dignitaries. This master of ceremonies for this year’s concert was long-time Washington television personality Bob Ryan. The concert also featured the Lower School Guild from the National Cathedral School, a choir of sixty 5th and 6th-grade girls led by Tanya Coyne.

This year’s concert was dedicated to the memory of Dick Carr, who passed away in 2011 after a lengthy illness. A member of one of Washington’s major real estate and construction families, Carr was a long-time member of the Salvation Army’s Washington advisory board, and was instrumental in several of the major projects undertaken by the Army during the last twenty years, including the construction of the Harbor Light Center, the Turning Point transitional housing complex, and most recently the Solomon G. Brown Corps Community Center in Southeast Washington.

The concert began with Intrada on “Regent Square” and immediately moved to a congregational carol, “O Come, All Ye Faithful”. Other contributions from the band included A Christmas Festival (Leroy Anderson, arr. Andrew Duncan), Silent Night (Erik Leidzén), Carol of the Bells (Darrol Barry) and Christmas Joy (Erik Leidzén). The audience was invited to join with the band in singing Joy to the World (arr. William Himes) and the Hallelujah Chorus (arr. Arthur Goldsmith).

The young women of the Guild contributed two excellent songs, showing musical maturity with multiple parts and complex harmonies.

In addition to the music, the concert also featured words from several community leaders and a presentation by Major Steve Morris, as he discussed the scope of the work in the National Capital Area over the preceding year.

The band would like to thank the following substitute players who stepped in to help during the busy Christmas season: Dean Sims, Jan Sims, Tim Kershaw and Kenny Brown.

Tidewater Ministry Weekend (Part 1 of 2)

This is the first of a two-part series of articles on the band’s ministry weekend in the Tidewater area of Virginia, 5 – 6 November 2011.

The National Capital Band (Bandmaster Dr. Steve Kellner) traveled to the Tidewater area of Virginia on 4 November 2011 for a ministry weekend which included a kettle kick-off, music for a fashion show, a youth band clinic, an evening festival, morning worship and an afternoon praise concert.

Most of the members of the band gathered at Divisional Headquarters on Friday evening and boarded two mini-buses for the journey south. Stops were made in Fredericksburg and Richmond to gather more of the band. Arriving late in the evening, the band checked into the hotel and spent a restful evening in anticipation of a busy Saturday.

Saturday, 5 November 2011

On Saturday morning, a sextet from the band stayed behind at the hotel to provide support for a fund-raising Fashion Show. The rest of the band boarded the buses and went to a Wal-Mart in Virginia Beach. Setting up in an open area near the entrance, the band provided 90 minutes of Christmas carols for the area-wide red kettle kick-off, joined by a couple of mascots (including a cow from the local Chick-Fil-A franchise, who at one point took the baton and conducted the band through “Hark the Herald Angels”).

The band (still minus the sextet) then went to the Norfolk Corps for lunch and the afternoon activities. With young musicians from both the Richmond Citadel and Hampton Corps present, Bandmaster Kellner gave a “breathing and buzzing” lecture (complete with hand motions). The students were then assigned to various master classes with NCB members, many of which were one-on-one sessions.

The conclusion of the clinic was a demonstration concert. Finally joined by the sextet, the National Capital Band started off with The Risen Savior (Paul Kellner). Next up was the Hampton Youth Band, led by Josh Webb. This group played “Duke Street” and “Fairest Lord Jesus”, both from the First Book of Hymn Tunes.

Next, the NCB presented a contrasting item, James Anderson’s arrangement of Jesus Loves Me. The Richmond Youth Band was then featured, under the direction of Matt Sims. They presented three familiar Christmas carols, “Hark! the Herald Angels Sing”, “Joy to the World” and “Jingle Bells”.

Another composition from James Anderson, Goldcrest, was the next presentation from the National Capital Band. This was followed by the Hampton Corps senior band, led by the corps officer, Major Kim Feinauer. This group played “Repton” and “He Came to Give Us Life”.

The next item featured the NCB’s young trombone virtuoso, Kevin Downing, who played Kevin Hayward’s arrangement of the classic solo by Bill Pearce, Joshua. Major James Allison, the band’s Executive Officer, gave a brief devotional talk, which was followed by the final item from the NCB, Shall We Gather (Leonard Ballantine). Captain Tim Delaney, Divisional Youth Secretary and member of the NCB tuba section, ended the afternoon session with a benediction.

The next event for the band was the evening festival, held at the Eastminster Presbyterian Church in Virginia Beach. This is the third time that the National Capital Band has presented a concert at this venue. Before the concert, the band had dinner in the church’s fellowship hall.

The concert began with St. Francis (William Himes), followed immediately by Joyful, Joyful (Steve Kellner) as a congregational song. Major Allison gave a welcome, and the concert continued with The Ambassadors (Peter Graham).

The first feature item on the program was another Peter Graham composition, the cornet duet Quicksilver, ably played by David Delaney (Bb cornet) and Noel Morris (soprano cornet). This was followed by Paul Sharman’s arrangement of the contemporary Christian song The Power of the Cross.

The second feature item of the evening was the trombone solo Joshua presented by Kevin Downing. This jazzy version of “Joshua Fit the Battle” was a signature item for the great trombonist Bill Pearce, and this arrangement was made by Kevin Hayward, former bandmaster of the Canadian Staff Band. Kevin Downing, who is in his third season as the principal trombone of the National Capital Band, is a sophomore at the University of Maryland, majoring in trombone performance.

The first half of the program ended with Suite for Brass (Three Hymns) (Stephen Bulla). In three movements, this piece features the familiar hymns “O Worship the King”, “Amazing Grace” and “How Firm a Foundation”.

Following an intermission, the band brought the audience back with The Firing Line (Bruce Broughton). This was followed by the swing-style Shall We Gather (Leonard Ballantine). Major Allison then brought a devotional, which was tied in with the band’s next item, Dean Goffin’s sublime meditation The Light of the World.

The final item of the concert was William Himes’ suite To the Chief Musician. With innovative elements such as chanting and singing from the band during the piece, this is one of the more original works in the repertoire. Major Lewis Reckline, Tidewater Area Commander pronounced the benediction. The band sent the audience home with a postlude, The Risen Savior (Paul Kellner).

National Cherry Blossom Festival

One of the signature annual events in Washington is the National Cherry Blossom Festival, which stretches over two weeks in early spring. Part of the festival is a continuous series of concerts by various cultural, musical, dance and other groups at the Sylvan Theater, located on the National Mall just south of the Washington Monument. For the first time in its history, the National Capital Band (Bandmaster Dr. Steve Kellner) took part in the Festival as an official participant, with a 45-minute concert at the Sylvan Theater on the afternoon of Friday, 1 April 2011.

Band members (red jackets) waiting for the previous group to finish before taking the stage

Band members (red jackets) waiting for the previous group to finish before taking the stage

Unfortunately, the weather for the event was not ideal, with cold temperatures, high winds and rain. The rain had stopped by the time that the band began, but the chilly wind made it quite difficult to perform, constantly threatening to blow over the music stands (the Sylvan Theater is a bandstand, covered, but open to the wind on three sides). Despite the challenging conditions, the band played well, presenting a varied program that began with The Risen Saviour (Paul Kellner), based on the familiar hymn “He Lives”.

Although not permitted to directly present the Gospel in this setting, Bandmaster Kellner’s selections were designed to pass on the message as an expression of the cultural significance of sacred music through the years combined with a patriotic flavor, appropriate for a concert in that location. The next item on the program was William Himes’ march God and Country. This was followed by the second movement of the suite Shout Salvation (Robert Redhead), which is based on what is perhaps the most-recognized melody throughout the world, “Amazing Grace”.

Bandmaster Kellner announces an item

Bandmaster Kellner announces an item

Another Himes march, Motivation, was next, conducted by Deputy Bandmaster Matt Sims. Two classical transcriptions followed, Jesu, Joy of Man’s Desiring (Bach, arr. Leidzén) and Hornpipe from “Water Music” (Handel). The march Novarc (Stephen Bulla), which allowed the bandmaster to mention the work of the Adult Rehabilitation Centers while introducing it, continued the program. The band showed its versatility with the next item, Deep River, a swing arrangement in the style of the famous Count Basie.

The National Capital Band has always had a strong connection with the military services, having had several current and former military musicians as members throughout the years (including the current bandmaster). Stephen Bulla’s Armed Forces Salute, featuring the service songs of all of the US armed forces, is a perennial item in the repertoire and again drew an enthusiastic reaction on this occasion.

To complete the short performance, Bandmaster Kellner chose a march by John Philip Sousa, Power and Glory. While perhaps not Sousa’s most familiar work, the march is remarkable in that it represents one of the very few occurrences where he used an existing melody when composing the march – in this case, the well-loved hymn “Onward, Christian Soldiers”.

Because of the timing of the event, several regular members of the band were unable to be present. The band would like to thank Malcolm Stokes, Steve Sutton, Melissa Little and Melinda Ryan for filling in for this performance. A special mention goes to Randy Jennings, who was playing his first brass band concert and first experience with the Salvation Army, sight-reading all of the music in high winds while performing as the sole percussionist.

Ministry Weekend in Raleigh

Early on the morning of Saturday, 19 February 2011, members of the National Capital Band (Bandmaster Dr. Steve Kellner) gathered at Divisional Headquarters in Washington to begin a journey to Raleigh, NC, for a ministry weekend. The weekend was set up by Majors Pete and Cathy Costas, who are the corps officers in Raleigh, and consisted of a short outdoor concert at North Hills Mall, a soldiers’ rally/concert and Sunday morning worship at the Raleigh Corps.

Saturday, 19 February 2011

Upon arriving in Raleigh, the band was treated to lunch at the corps, and then went to North Hills Mall for an outdoor concert. Despite the season, the weather was warm and sunny, and there were many people at the venue. The band had an excellent area from which to present their concert, at the center of the mall in a large courtyard. Items included The Risen Savior (Paul Kellner), Be Thou My Vision (Steve Kellner), Joyful, Joyful (Steve Kellner), Jesus Loves Me (James Anderson), Motivation (William Himes), the second movement, featuring “Amazing Grace” from Robert Redhead’s suite Shout Salvation, and Goldcrest (James Anderson).

After a brief stop at their hotel, the members of the band returned to the Raleigh Corps for set up, sound check, and dinner before the evening event, which was a Soldiers’ Rally with Salvationists from several corps in the area in attendance. The NCB started the evening with Bandmaster Kellner’s Fanfare and Allegro on the Doxology, followed by a welcome by the band’s executive officer, Major James Allison. The congregation was given the first of several opportunities to participate, singing Joyful, Joyful to the band’s accompaniment.

The Good Old Way, based on a Primitive Methodist song from the nineteenth century, was the next item on the program. Bruce Broughton, an established film and television composer, is a master of programmatic music, and this piece is a fine example. The band’s only soloist of the evening was principal cornet David Delaney, who gave an enthusiastic performance of Ray Steadman-Allen’s Rhapsody on Negro Spirituals.

Scott Bedio gave a testimony, which was followed by the suite Shout Salvation (Robert Redhead), conducted by deputy bandmaster Matt Sims, with Bandmaster Kellner taking the bass trombone chair.

The congregation was then offered another opportunity to participate. This time, they were treated to a premiere of a new medley arranged by Bandmaster Kellner, Army on the March! This piece, designed for audience participation, consists of a number of Salvation Army marching songs, several of which are presented in the arrangements based on those featured in classic marches: “Marching Along”, “Keep in Step” from Regent Hall Young People (Leslie Condon), “A Robe of White” from The Invincible Army (Erik Leidzén), “March On!”, “Happy Song” from Kinshasha (Leslie Condon) and “On We March with the Blood and the Fire” from Harrow Citadel (A. S. Raikes). During this item, the Army flag was marched around the hall as the audience enthusiastically sang.

The main Salvation Army center in Port-au-Prince, Haiti, was destroyed by the earthquake of January 2010. The USA Southern Territory is raising funds, from the soldiers, to assist in the rebuilding of the corps, which is one of the largest in the Americas. An offering was taken during the meeting in support of this effort. The band played Motivation (William Himes), with the deputy bandmaster conducting, as an offertory. This was followed by a devotional message by Major Allison.

The final band item was another composition from Bandmaster Kellner, Variations on “O Worship the King”. The piece examines the familiar hymn tune in five movements: “Fanfare”, “Little Fugue”, “Song without Words”, “Celtic Dance” and “Theme and Finale”. This led into the conclusion of the program, with the congregation singing ’O Boundless Salvation’ using William Himes’ arrangement as accompaniment. Major Pete Costas gave a benediction. The NCB sent everyone home in fine fashion, playing Goldcrest (James Anderson) as a postlude.

Sunday, 20 February 2011

On Sunday morning, the band returned to the Raleigh worship center. After the Sunday School preliminaries, the Raleigh corps members dispersed to their classes, and the band remained in the chapel for their own preparations. Major Allison gave a short devotional, and then the rest of the time became a prayer meeting among the members of the band. Bandmaster Kellner has emphasized the spiritual life of the band and its members during this season, and this short devotional time was a significant event, including band members kneeling at the Mercy Seat, being supported and assisted by other members.

The theme of the morning worship service was ’Arise, My Soul!’. The band’s main contribution was the offertory, Dean Goffin’s prelude and fugue Arise, My Soul, Arise, one of the true classics of brass band literature. Danielle Ashton read Scripture and gave her testimony. Major Allison gave the message of the morning, entitled “You Want Me To Do What?”, based on Isaiah 6:1-8. The time of commitment after the sermon again featured the band, as they presented Eric Ball’s timeless meditation, Serenity.

A highlight of the meeting was an impromptu a capella quartet from four members of the Raleigh Corps. This corps has a diverse, international congregation, and several of the local officers, including Bandmaster Henri Kissaka and Songster Leader Ghodard Diavangama, hail from Africa. The quartet, which included these persons and two other African Salvationists, sang with the unique and beautiful quality of vocal groups from that continent.

The meeting ended on an upbeat note, with the congregation singing along with the band in the medley Army on the March! (Steve Kellner). Major Pete Costas gave the benediction, and the band played The Risen Savior (Paul Kellner) as a postlude before moving downstairs to join Corps Sergeant-Major Terry Williamson and the rest of the Raleigh corps council for lunch.

This trip ranks as one of the top ministry weekends undertaken by the National Capital Band in recent years. Filling in for absent members were some of the talented local Salvationist musicians: Steve Sutton (cornet), Daniel Simmons (horn) and Charlie Fisher (trombone). In addition, the NCB was delighted to have former long-time member Captain Mike Harris, who is now the corps officer in Hickory, North Carolina, sit in with the tuba section for the Saturday night rally.

Christmas in Richmond

The National Capital Band (Bandmaster Dr. Steve Kellner) presented a Christmas Concert at St. Mary’s Catholic Church, Richmond, Virginia, on 4 December 2010. This was the band’s second visit to the church for what has become an annual concert in Richmond.

Organized by Bandmaster Matt Sims, Music Director for the Salvation Army in Central Virginia (also the deputy bandmaster and bass trombonist of the NCB), the event drew an audience of more than 600 people. As the audience members entered the church, they were prepared for the experience by a brass ensemble of students from the School of Performing Arts, a Salvation Army program directed by Bandmaster Sims. The ensemble, despite cold conditions, played carols outside the main entrance to the church.

The concert kicked off with Fanfare on “O Come, All Ye Faithful”, composed by Bandmaster Kellner. The concert took the form of a dialog, with the band’s executive officer, Major James Allison, reading passages of Scripture related to the story of Christmas between the band items.

A special feature was the participation of a select chorus of students from the School of Performing Arts (it not being possible to have all 120 or so students participate because of the limitations of the church hall). They sang a medley of Christmas favorites accompanied by an ensemble from the band.

The band’s only soloist for the afternoon was soprano cornet Noel Morris, who played Stephen Bulla’s O Holy Night. Other items from the band included another Bulla work, The Proclamation of Christmas; For Unto Us a Child Is Born (arr. William Gordon) from Handel’s “Messiah”; Coventry Carol (Robert C. Schramm); the Trepak and March from Tchaikovsky’s The Nutcracker (both arranged by Keith Wilkinson); Little Drummer Bolero (arr. Steve Kellner); and Leonard Ballantine’s swing arrangement of Go Tell It.

Major Allison gave a brief devotional thought, and announced an initiative to raise $100,000 to continue the School of Performing Arts program. Proceeds from voluntary donations (tickets to the concert were free) placed in kettles in the church lobby were applied to this effort. Captain David Worthy, area commander for Central Virginia, offered acknowledgements and thanks to the church staff and the NCB, before the band sent the audience home “tapping their toes” with Erik Leidzén’s classic Christmas Joy.

The National Capital Band would like to thank a few players who joined us for this concert to fill in for absent members: Jim Squirrel and Dean Sims on solo cornet, Jan Sims on horn, and Melinda Ryan on E♭ tuba.

Fredericksburg 125

On the weekend of 6 – 7 November 2010, the National Capital Band made the short journey to Fredericksburg, Virginia to help celebrate 125 years of Salvation Army work in that city. This was the first ministry weekend under the direction of Bandmaster Dr. Steve Kellner.

Saturday, 6 November 2010

The first Salvation Army meeting in Fredericksburg was held on Sunday, 29 November 1885 at Hayden Hall, 700 Princess Anne Street. The first event of the weekend was the unveiling of a plaque affixed to that building commemorating the event (permission for which was graciously extended by the current occupants, the law offices of Murray Van Lear and Paul Scott). A small ensemble from the band supported the unveiling.

The full band then gathered at Hurkamp Park, in the center of downtown Fredericksburg, for a short outdoor concert. Despite a rather chill wind (and a bird who “targeted” a member of the bass section), the band presented a light program to a small but enthusiastic group of listeners. Items included:

  • Goldcrest
  • Jesus Loves Me
  • God’s Children
  • O, How I Love Jesus
  • Fill the World with Music
  • Teach Me
  • Come, Thou Almighty King
  • Be Thou My Vision
  • Down the Street

The band then went to the venue for the evening concert, Spotswood Baptist Church, where they had a sound check and rehearsal, followed by a meal provided by the Fredericksburg Corps.

The evening festival, with several hundred persons in the audience, started off with two contrasting items, Goldcrest (James Anderson) and The Prayer Meeting (Bruce Broughton). The audience was then invited to stand and sing, the song being “Joyful, Joyful, We Adore Thee”, with an accompaniment arranged by Bandmaster Kellner. The executive officer of the National Capital Band, Major James Allison, made some introductions and gave an opening prayer.

After the introductions and prayer, the program continued with another work by Bruce Broughton, The Good Old Way. This was followed by the only soloist of the evening, principal trombone Kevin Downing. Despite only being 18 years of age, Kevin, who is a freshman majoring in trombone performance at the University of Maryland, is already an accomplished soloist, as he showed with his performance of Fantasy for Trombone on Spirituals (Ray Steadman-Allen).

For many years, the suite has been a favorite form in Salvation Army compositions. The next item on the program, Shout Salvation (Robert Redhead), is a fine example of the form written in the mid-1970s. Deputy Bandmaster Matt Sims conducted the band for this item. The final piece of the first half was Power and Glory, a transcription (by Bandmaster Kellner) of a march by John Philip Sousa. This march, which features the well-known hymn tune “Onward, Christian Soldiers” in the trio, is one of very few works in which Sousa used a melody that he had not composed himself.

The second half started with Motivation (William Himes), conducted by the deputy bandmaster. This was followed by the major work of the evening. Commissioner Sir Dean Goffin is one of the giants of Salvation Army music. He demonstrated his mastery of classical forms with his treatment of the familiar hymn tune “Darwalls”, the prelude and fugue Arise, My Soul, Arise. Associating the tune with words by Charles Wesley, this is sacred music of the highest order.

Arise, my soul, arise
Shake off thy guilty fears;
The bleeding sacrifice
In my behalf appears;
Before the throne my surety stands,
My name is written on his hands.

Captain Matt Satterlee, corps officer, gave a short presentation on the 125th anniversary of the Fredericksburg Corps. This was followed by a New Orleans-inspired jazz item, Lord, Lord, You Sure Been Good to Me (Eric Alexander).

During the weeks immediately preceding this ministry weekend, Major Dan Delaney, father of principal cornet David Delaney, and Bandmaster James Anderson had been promoted to Glory. Major James Allison, in his devotional thought during the concert, told the story of the song “It Is Well with My Soul”. Bandmaster Anderson’s family was singing this song at his bedside at the moment that he passed away. Following Major Allison’s talk, the band played Eric Ball’s masterful arrangement of this melody, Serenity. It was an emotional performance for many in the group, as this same arrangement had been used at Major Delaney’s funeral just a few weeks before.

The concert concluded with a modern expression of praise, Martin Cordner’s Let Everything Praise.

Sunday, 7 November 2010

After spending the night at nearby Camp Happyland, and being treated to a hot breakfast provided by the camp caretakers and staff, the band returned to Spotswood Baptist for the early service. The band played a mini-concert beginning at 8:30 am, with the service proper starting at 8:55. Items in the mini-concert included Jesus Loves Me (James Anderson), Be Thou My Vision (Steve Kellner), Serentity (Eric Ball) and In Christ Alone (Martin Cordner).

During the service, the band provided the accompaniment for congregational songs, and presented James Curnow’s arrangement of Come, Thou Almighty King. As this was the Sunday before the Veteran’s Day holiday (11 November), the church choir and the band joined for a medley of the songs from the five United States armed services, composed by the director of instrumental music at the church, Robert Farmer, with orchestral parts transcribed for brass by Bandmaster Kellner.

After the service at Spotswood Baptist, the band made a quick break-down and exit, traveling to the Fredericksburg Corps for the holiness meeting there. Again, the band played a few items before the meeting, including Jesus Loves Me and Be Thou My Vision. The band conducted the entire service, accompanying the congregational songs and playing Serenity and In Christ Alone as special items. Joshua Webb read Scripture, and Elizabeth Schramm gave a personal testimony detailing her experiences at the World Youth Conference in Sweden during the past summer. Major Allison gave the sermon, and the meeting concluded with the congregation and band joining in “O Boundless Salvation”. As a postlude, the band played the same march with which the weekend began at Hurkamp Park, Goldcrest.

Worship Service at Solomon G. Brown Corps

This is the third of three articles on the National Capital Band’s “Bravo Brass!” ministry weekend in the Washington, DC metro area, 10 – 11 April 2010.

The finale of the National Capital Band’s Bravo Brass! Weekend was a worship service on Sunday, 11 April 2010, at the Solomon G. Brown (Southeast) Corps in Washington, DC. Located in the heart of the Anacostia neighborhood in the Southeast quadrant of the city, this is the newest corps building in the metro area, with the corps occupying two floors of a five-story building, with the rest of the building occupied by paying business tenants, an innovative arrangement for a Salvation Army building.

The members of the band were greeted by the corps officer, Lieutenant Michal Chapman as they arrived for the Sunday holiness meeting. The platform area of the sanctuary is not large enough for a full-size brass band, so the NCB set up to one side. As with the rest of the weekend, Bandmaster James B. Anderson was unable to be present, being out of town for medical treatment. Conducting duties for the meeting were shared between Deputy Bandmaster Matt Sims and principal euphonium Steve Kellner.

The band began with some preliminary items, including James Curnow’s Fanfare Prelude on “Lobe den Herren”. Following a welcome and announcements by Lieutenant Chapman, the Corps Sergeant-Major, George Beu, accepted the tithes and offerings. As an offertory, the band presented the trombone feature I Will Follow Him (arr. Goff Richards).

The National Capital Band is blessed with many versatile musicians, and the NCB Praise Team (Captain Amy Reardon, vocals; Captain Rob Reardon, keyboard; Deputy Bandmaster Matt Sims, bass guitar; Keith Morris, drum kit; David Delaney and David Mersiovsky, trumpet; and Kevin Downing, trombone) led the congregation in the contemporary worship songs Hosanna! (Paul Baloche/Benton Brown) and You Are My King (Billy James Foote). The congregation was also given the opportunity to sing with the full band using Charles Skinner’s arrangement of Crown Him with Many Crowns.

The program then took on a more devotional character, with a personal testimony given by David Mersiovsky, a prayer chorus (“Turn Your Eyes upon Jesus”) and prayer led by Noel Morris, the congregational song “And Can It Be” using the William Himes arrangement entitled Amazing Love, and a Scripture reading given by David Delaney.

The Scripture reading was followed by Delaney’s sensitive rendition of the cornet solo I’d Rather Have Jesus (William Himes), a fitting introduction to the message of the morning given by the band’s executive officer, Major James Allison. Major Allison, in his usual relaxed manner, was effective in presenting the Gospel message, as evidenced by the several seekers who came forward during the time of commitment.

Before the final congregational song, O Boundless Salvation (arr. William Himes), Major Allison called Bandmaster Anderson, who was in Houston, Texas, for medical treatment. In one of the most moving experiences in the recent history of the band, all present were privileged to have the bandmaster participate in the singing of the concluding song and give the benediction from a hospital thousands of miles away. We learned later that Bandmaster Anderson was in the day room, with several other patients present, during this time, and that he, in his usual bold fashion, sang along and prayed aloud without any sign of embarrassment or timidity. The meeting ended with a prayer for Bandmaster Anderson given by the band chaplain, Captain Mike Harris, and the postlude, Rolling Along (William Himes).

As the band concluded this special ministry weekend, contributions by several guest players were acknowledged, including Darryl Crossland and Steve Sutton on cornet and Dr. Richard Holz on Bb bass.

Bravo Brass!

This is the second of three articles on the National Capital Band’s “Bravo Brass!” ministry weekend in the Washington, DC metro area, 10 – 11 April 2010.

As a part of their Bravo Brass weekend, the National Capital Band of the Salvation Army (Bandmaster James B. Anderson) joined with The Dominion Brass (Conductors Steve Kellner and Ben Roundtree) for a concert at McLean Presbyterian Church, on 10 April 2010.

The Dominion Brass, founded in 2002, is a large brass and percussion ensemble made up of professional musicians and music educators from the Washington, DC area. Its mission is to glorify God through music and to support other ministries and charitable organizations through concert performances. Since its founding, the ensemble has played several concerts annually and raised over $30,000 for various local, national and international ministries and charities.

The concert began with The Dominion Brass on the stage, where they started with Joyful, Joyful (arr. Steve Kellner) as a congregational song. This was followed by a arrangement by Ben Roundtree of The Power of the Cross. The next item was the premiere of an extended work composed by Steve Kellner, Variations on “O Worship the King”. This well-known hymn was presented in five movements, representing a variety of musical styles: Fanfare, Little Fugue, Song without Words, Celtic Dance and the closing Theme and Finale.

One of the great composers for choir in the twentieth century was Randall Thompson. His classic choral work Alleluia has been skillfully transcribed for brass choir by Steve Kellner, and this was the next work presented by The Dominion Brass. Contrasting with this symphonic chorale was the next item, There Is Power in the Blood, featuring the six-member trombone section of The Dominion Brass. Arranged by Ben Roundtree in a classic jazz format, this piece was greeted with long and loud applause.

The final item was the Finale from Camille Saint-Saëns’ “Organ Symphony”, arranged by Phil Snedecor. The McLean Presbyterian Church has recently installed a new organ, and it was an excellent benefit to the concert to have the church’s organist, David Bading, participate in this presentation.

During the intermission, the platform was reset for the National Capital Band. Unfortunately, Bandmaster James Anderson was unable to attend the events this weekend for medical reasons, but Deputy Bandmaster Matt Sims and principal euphonium Steve Kellner filled in admirably in the Bandmaster’s absence. Two Dominion Brass members, Phil Franke (euphonium) and Dana Landis (trombone) helped out by filling in for Kellner and Sims respectively.

The National Capital Band began its portion of the program with two pieces composed by Leslie Condon, Celebration and Song of Exuberance. The latter, one of the more difficult trombone solos in the Salvation Army repertoire, was given an excellent rendition by Kevin Downing, the NCB’s principal trombone. The third item was William Himes’ joyous Cause for Celebration.

The concert then turned from the contemporary rhythms and harmonies of William Himes to a item by a composer who may be considered the origin of all sacred brass music, Giovanni Gabrieli. An innovator often credited with the first significant use of dynamics, massed instrumentation and antiphonal effects, Gabrieli’s music is still appreciated and admired despite being composed some 400 years ago. Steve Kellner provided the arrangement of Canzon Septimi Toni No. 2, with the National Capital Band as “choir one” on the stage and The Dominion Brass split on either side of the audience to provide the antiphonal effect.

Returning to more contemporary music, the next item was Peter Graham’s Renaissance. For this item, The Dominion Brass filled the choir loft behind the National Capital Band, joining in the majestic final section as the piece concludes with the emphatic statement “May Jesus Christ Be Praised!”.

For the finale of the concert, everyone in the hall was included, with both bands, the church organ, and the audience combining for Crown Him with Many Crowns (arr. Charles Skinner), providing a fitting conclusion to the concert.

Clinic at Alexandria

This is the first of three articles on the National Capital Band’s “Bravo Brass!” ministry weekend in the Washington, DC metro area, 10 – 11 April 2010.

Ninety “budding musicians”, representing eight corps – Arlington, Alexandria, Fairfax, Fredericksburg, Montgomery County, Prince George’s and Solomon G. Brown (Southeast) – were treated to classes and a performance session with the National Capital Band on Saturday, 10 April 2010.

The event kicked off at 10:00 am in the sanctuary, with a devotional thought from the NCB’s executive officer, Major James Allison. This was followed by a fascinating and informative session on proper breathing techniques conducted by Dr. Steve Kellner. The the participants were assigned to a number of masterclasses, each with at last one member of the NCB. In fact, every room in the building that could be used for a class was used, and some had to be conducted in the corps’ social services offices next door.

Following the masterclasses, the corps groups that would be performing in the grand finale concert of the clinic were given time to rehearse. During the rehearsals, a pizza lunch was set up in the corps parking lot, as the weather was fine, although a bit windy. Then everyone headed back into the building for the grand finale of the clinic, a mini-concert featuring the NCB and several groups from individual corps music programs.

The only space large enough to hold all of the musicians and their instruments was the gymnasium. The sound of 120 brass musicians (90 clinic participants and 30 members of the NCB) all warming up at the same time was, quite simply, enormous. In the absence of Bandmaster James Anderson, who was unable to be with the band on this weekend because of medical treatment, conducting duties were split between deputy bandmaster Matt Sims and principal euphonium Steve Kellner. The NCB got the finale off to a fine start with Cornerstone (Andrew Mackereth) with Steve conducting, followed by words of welcome from Deputy Bandmaster Matt Sims and an invocation from Major Allison.

The first group to perform was the youth band from the host corps, Alexandria Citadel, under the direction of Dave Downing. They presented the old classic Jesus Shall Reign (Vernon Post), a piece which many of the members of the NCB remembered as having been used when they were members of a corps youth band.

Next, all of the musicians joined together for a rousing rendition of William Himes’ Muffins Rhapsody, with Matt Sims conducting the NCB and David Delaney leading the assembled participants. The youth band from the Fairfax Corps then performed Duke Street (William Himes), led by Scott Bedio.

The NCB continued the program with Jesus Loves Me, using the well-known arrangement by Bandmaster Anderson. The next group to perform was a combination of players from the two Maryland corps represented, Montgomery County and Prince George’s. Under the direction of David Delaney (bandmaster at Montgomery County), they presented When the Spirit Says Sing.

Over the last three years, under the inspired direction of Bandmaster Matt Sims, the Richmond Area Command has developed the School for the Performing Arts, which now has about 120 students with instruction at three locations. Many of the members of the Richmond Citadel youth band are beneficiaries of this excellent program. With Matt conducting, the youth band presented Down the Street (Erik Silfverberg). Then, 10-year-old Angela Li presented the cornet solo Whiter than Snow with David Carter accompanying on piano.

The final item from the NCB during the mini-concert was I Will Follow Him, featuring the trombone section. As a grand finale to the clinic sessions, all of the assembled musicians again gathered, this time playing another special item by William Himes, Classics in Brass. Major Allison closed the proceedings with a benediction.

Covington Ministry Weekend

On the weekend of 20 – 21 February 2010, the National Capital Band (Bandmaster James B. Anderson) traveled to Covington, Virginia, to support the celebration of the dedication of a new Salvation Army building.

Covington is a small city in southwestern Virginia. The Salvation Army “opened fire” there in 1926 and purchased a building on Highland Avenue at that time. Over 80 years later, this building was still in use, despite having been obsolete for decades. The new building dedicated on this weekend is the first phase of three planned segments, with a chapel and gymnasium still to be built. The campaign to make the progress seen so far has been quite long and difficult, with many of the other corps in the National Capital and Virginia Division contributing toward the effort, as well as donations from local businesses and individuals in Covington and the nearby town of Clifton Forge.

Saturday, 20 February 2010

Unlike many of the weekend engagements undertaken by the National Capital Band, this one did not feature a Saturday evening concert. Instead, the band supported the local Salvation Army’s appreciation dinner for Advisory Board members, donors and members of the community who supported the campaign to build the new facility. The band arrived in Covington early in the afternoon and members were able to spend a couple of hours relaxing at the hotel before going to the Covington Baptist Church for the dinner. Some time was spent in setting up, as the room was quite small for a band of this size, but a satisfactory arrangement was made. The band then ate dinner and returned to the formation as the guests began to arrive.

As the dinner guests came in, the band provided some music, including Cornerstone (Andrew Mackereth), God Bless America (Irving Berlin, arr. William Gordon), My Tribute (Andrae Crouch, arr. Kevin Norbury) and Cause for Celebration (William Himes). Captains Karl and Janice Dahlin, corps officers for Covington, gave some words of welcome, which were followed by an invocation given by the chairman of the Advisory Board, Reverend Bill Hartsfield.

As the guests were served, the band continued with Bugler’s Holiday (Leroy Anderson), featuring David Delaney, David Mersiovsky and Chris Dennard. Other items in this segment included Swedish Folk Song (arr. Peter Graham), What a Friend (Erik Leidzén) and another time through My Tribute, especially requested by the band’s executive officer, Major James Allison.

Two special feature items were presented by the band during the dinner. The first, I Will Follow Him (from the movie “Sister Act”) featured the trombone section (Kevin Downing, Maria Mathieson, Ellim Choi and Matt Sims). The second required the men of the band to showcase their vocal talents with the light-hearted Men of the Chorus (accompanied on piano by Christina Anderson).

Most of the officers on the divisional staff were present for the event, including the Divisional Commander and his wife, Majors Mark and Alice Bell. The Salvation Army in Covington has struggled financially for many years, as the region is not strong economically and the needs are great. During this a considerable debt from the local corps to Divisional Headquarters has built up, as the headquarters covered operating expenses that could not be met by the corps fund-raising efforts. In a move that surprised everyone in the room, Major Mark Bell announced that all of the debt which had been carried on the books from the Covington Corps to Divisional Headquarters was cancelled – $61,000 for the local thrift store and $129,000 for the corps operations. He also presented a check for $10,000 to the corps officers, the first $2,500 of which was earmarked to stock the corps food bank used to help those in need of nutritional assistance, and the rest to begin operations in the new building “in the black.”

The campaign to raise the funds to build the first phase of the project in Covington was long, again owing the to economic condition of the surrounding area. The building being dedicated on this weekend was only the first phase of the project, with a chapel and gymnasium also planned. In another surprise, Major Bell also announced that the remaining work on building the chapel, estimated to cost $205,000, would also be financed by Divisional Headquarters.

One of the guests at the dinner was the Mayor of Covington, Stephanie Clark. In addition to being a civic leader, the Mayor is an evangelical Christian. She had heard the band playing My Tribute during the dinner, and asked if she could sing with the band before she made her remarks to the gathering. So, for the third time, the band played this piece, with the Mayor contributing soulful and powerful vocals. The band played another feature, Dance Like David (Andrew Mackereth) before the end of the dinner. Following special remarks and a challenge to the Covington community to complete the project by building the gymnasium, Major Allison, Major Bell and the rest of the Salvationists present joined the band in leading the congregation in O Boundless Salvation, using William Himes’ excellent arrangement as the accompaniment.

Sunday, 21 February 2010

On Sunday morning, the members of the band formed up near the old corps building on Highland Avenue, with members of the divisional staff and the Covington corps. They stepped off sharply on a march of witness through the streets, marching from the old corps building to the new, a distance of slightly less than half a mile. Marching to old favorite hymn tunes such as “All for Jesus” and “Onward, Christian Soldiers”, the parade ended in the small parking area in front of the new building, with the band playing the classic march Golden Jubilee and then the assembled Salvationists saluting as the Covington corps flag entered the new building for the first time.

Since the chapel portion of the project has not been completed, the Sunday morning service was held in a multi-purpose room in the new building. The room lacks a platform, but the holiness table and Mercy Seat from the old corps had been transferred and placed at the front of the room, and there was just enough room on the side to set up the band formation.

The band opened the worship with some preliminary music, including Be Thou My Vision, Jesus Loves Me and ’Mid All the Traffic. During the meeting the band featured Swedish Folk Song as an offertory, and members of the band formed into a chorus to sing The Saviour’s Name (Clarke, arr. Ballantine).

Several testimonies were given by officers who had been associated with the Covington corps over the years, including Major Eric Roberts and Major Linda Sloan. The most moving of the testimonies was that of Major Jim McGee, who described coming to Covington as a railway worker, becoming saved in a watchtower on the rail yard, finding the Salvation Army as a church and eventually becoming an officer. Corps Sergeant-Major Robin Hall also spoke eloquently about her long association with the corps, and was named “Soldier of the Year”. Mike McCulley of the Covington Corps contributed to the meeting by singing Who Am I?.

Major Mark Bell gave a challenging message, which was followed by the band and congregation joining for O Boundless Salvation, with Bandmaster Anderson stepping away from the band for the last verse to wave the Corps flag in the traditional salute associated with the Founder’s song. The band played Washington Salute 125 (Stephen Bulla) as a postlude.

This ministry weekend, while not a typical one for the National Capital Band, was a rewarding one as the band supported one of the smaller corps in the division during an extremely important weekend for both the corps and the city of Covington.

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