Tag Archives: ministry weekend

Parade and Concert in Richmond

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The National Capital Band (Bandmaster Dr. Steve Kellner) traveled to Richmond, Virginia on 7 December 2013, participating in the Richmond Christmas Parade and playing a carol concert at St. Mary’s Catholic Church in the afternoon.

This was the first time that the full band marched in the Richmond Christmas Parade. In previous years, small ensembles have taken part. The parade is a major event, with several hundred thousand spectators lining Broad Street along the 2.5-mile route.

After the conclusion of the parade, the band went across town to St. Mary’s Catholic Church, the venue for the annual Richmond carol concert. This concert has been held at the church for the past several years. The band arrived in good time after the parade, setting up and having a box lunch before the afternoon concert, which began at 2:45 pm.

The concert opened with Christmas Prelude (arr. Rieks van der Velde), which features the carol “O Come, All Ye Faithful”. The audience was invited to sing along with the band for this item. After words of welcome and an invocation from Major Tim Carter, Central Virginia Area Commander, the concert continued with two contrasting items. First was the Troika from “Lieutenant Kije” (Serge Prokofiev, arr. Andrew Blyth). This was contrasted with Christmas Time Is Here (Vince Guaraldi, arr. Stephen Bulla), which is familiar from the classic Charlie Brown Christmas television special.

Next was another opportunity for the audience to participate, with a medley of carols, including “Deck the Halls”, “Once in Royal David’s City” and “Hark, the Herald Angels Sing”. This was followed by a performance by students from the Salvation Army’s School for the Performing Arts, led by Sara Elliott. The first half of the concert finished with a Christmas march, The Carollers (Richard Holz).

Following the intermission, the band brought things back to motion with Christmas Joy (Erik Leidzén). Major Donna Carter, Central Virginia Coordinator of Women’s Services, read Scripture from John 1:1–14. The band played Silent Night, a new arrangement by a member of the band’s bass section, Kate Wohlman. This led into a devotional given by the band’s Executive Officer, Major Andrew Kelly, entitled “The Life-Light”, using the Scripture text read earlier.

The band’s final item of the concert was Christmas Finale (Paul Lovatt-Cooper). Just before the benediction given by Major Tim Carter, the audience finished the afternoon, joining with the band in another medley of carols, including “Joy to the World”, “The First Noel” and “Away in a Manger”.

The band was scheduled to perform another carol concert the following afternoon, in Fairfax, Virginia, however, this event had to be canceled on account of hazardous winter weather conditions.

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Winston-Salem Ministry Weekend (Part 3 of 3)

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This is the third of a series of three articles on the National Capital Band’s ministry weekend in Winston-Salem, North Carolina.

The National Capital Band (Bandmaster Dr. Steve Kellner) traveled to the Triad area of North Carolina for a ministry weekend, 8 – 10 November 2013. The band participated in the kettle kick-off for the Winston-Salem Area Command, performed two concerts at area churches, held a youth clinic with students from the Salvation Army’s Academy of Music and Arts, and supported a Sunday morning worship service where all three of the area corps joined together.

Sunday, 10 November 2013

United Holiness Meeting

On Sunday morning, the band returned to the Ken Carlson Boys and Girls Club, where a united Holiness Meeting, with all three of the area corps combined, was held in the gymnasium. The band played a preliminary set, including Colne (Thomas Rive), Laudes Domini (arr. Eric Ball), In Perfect Peace (Kenneth Downie), Lobe den Herren (arr. Eric Ball) and Praise Him! (Stephen Bulla).

After a welcome from Major James Allison, area commander, the flags of the three corps were brought into the hall as Joel Collier sang They Shall Come from the East accompanied by the band. The song was chosen because of the diverse nature of the corps in the command, with services being conducted in English (Washington Park), Spanish (International) and Korean (Kernersville).

Contributions from the National Capital Band included All Hail the Power (arr. Himes) and In Christ Alone (both as congregational song accompaniments) Are You Joyful? (Dudley Bright), The Call (Erik Leidzén) and Here at the Cross (James Curnow). The Kernersville Songsters sang Sing to the King.

Major Andrew Kelly, executive officer of the National Capital Band, gave the message of the morning. The meeting ended in grand style, with the NCB and the congregation joining in O Boundless Salvation, using William Himes’ stirring arrangement with a special tag (provided by Bandmaster Kellner) at the end leading into “Heavenly Gales” and concluding with “Praise God, I’m Saved”.

Following the benediction, the band closed their time in Winston-Salem with a postlude, the march Keep Singing (P. C. Rivers).

The National Capital Band would like to thank several players who joined us for all or part of the weekend, including Charlie Fisher (trombone), Chip Seiler (cornet), Jamie Hood (cornet) and Eugene Fitzgerald (horn). The band was especially delighted to be joined by former NCB member Captain Mike Harris (tuba) on Friday and Saturday. Captain Harris was a member of the band for a number of years both before and after attending the School for Officers’ Training in Atlanta, and is now, with his wife, commanding the Army’s work in the Hickory, North Carolina, area.

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Winston-Salem Ministry Weekend (Part 1 of 3)

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This is the first of a series of three articles on the National Capital Band’s ministry weekend in Winston-Salem, North Carolina.

The National Capital Band (Bandmaster Dr. Steve Kellner) traveled to the Triad area of North Carolina for a ministry weekend, 8 – 10 November 2013. The band participated in the kettle kick-off for the Winston-Salem Area Command, performed two concerts at area churches, held a youth clinic with students from the Salvation Army’s Academy of Music and Arts, and supported a Sunday morning worship service where all three of the area corps joined together.

Friday, 8 November 2013

The weekend began early on Friday morning, with the majority of the band members meeting at 6:30am at the Fairfax Corps to meet the coach. Following stops to pick up more members in Fredericksburg and Richmond, the band arrived at the hotel in Winston-Salem just after 1:00pm. Major James Allison, area commander for Winston-Salem, and several other officers of the command were on hand to greet the band and had box lunches ready to go.

After a quick lunch, the members of the band changed into their uniforms and headed for the nearby Hanes Mall to participate in the Winston-Salem area Kettle Kick-off. The band formed up in the parking lot and marched down the outside of the mall from one end to the other, accompanied by officers from the corps in the area, with local news cameras rolling. After completing the short march, the band divided into six ensembles, each supporting a kettle placed at one of the mall entrances. After playing at the kettles for about an hour, the band returned to the coach and left for Central Triad Church, the venue for the evening concert.

The band had an easy time setting up on the stage at the church. Following a sound check, the church provided an excellent meal before the evening concert. As the audience came into the hall before the festival, the Advanced Band from the Winston-Salem Salvation Army’s Academy of Music provided music in the foyer of the church. Another of the performing groups from the Academy is a drum line, who commenced the concert with an item and then “marched in” the National Capital Band as they took the stage.

The band’s first item was Praise Him! (Stephen Bulla), followed immediately by Joyful, Joyful (Steve Kellner) with the audience joining in song. Major James Allison, area commander for Winston-Salem, gave a welcome and introductions. In his previous appointment as General Secretary for the National Capital and Virginia Division, Major Allison served as the Executive Officer for the National Capital Band for six seasons. His first act in his new appointment was to invite the band for this ministry weekend. The program continued with Dudley Bright’s lively arrangement Are You Joyful?

The band’s only soloist of the evening was principal euphonium Joel Collier, who played Spiritual Fantasy (Douglas Court). Originally written for Bandmaster Kellner, the solo features three movements based on African-American spirituals, including “I’ve Got a Robe”, “Balm in Gilead” and “Joshua Fit the Battle”. The virtuoso performance by the soloist led to extended applause from the appreciative audience.

One of the major events at Central Triad Church during the year is the live presentation of a drama entitled The Lost Shepherd. This 2-hour drama is staged during the Easter season (seven performances in 2013) and a portion of the proceeds are donated to the Salvation Army. Pastor Leroy Kelly presented Major Allison with $1500 during the concert. In addition, a free-will offering was taken with all monies received going to the Salvation Army. During the collection of the offering, the band played Keep Singing, ending the first half of the concert.

Following an intermission, the band started off the second half with James Anderson’s modern classic march Goldcrest, followed by Soli Deo Gloria (William Himes). In recognition of the upcoming season, the next item was Christmas Joy (Erik Leidzén), with the Advanced Band coming up on the stage as the they joined the National Capital Band for the march.

Major Andrew Kelly, executive officer of the National Capital Band, gave a short devotional thought and introduced the next item. Originally written in 1923, The Call is one of Erik Leidzén’s most intense works. Built around the well-known tune associated with the words “Softly and tenderly, Jesus is calling”, the piece then asks the ultimate question, “What will your answer be?”.

The final item of the concert was another piece based on spirituals, Peter Graham’s Seize the Day. Following a benediction by Major Allison, the band sent the audience on their way with a postlude, The Risen Savior (Paul Kellner).

Central Triad Church was kind enough to produce a video recording of the entire concert. You can view excerpts from the video on the National Capital Band’s YouTube channel.

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Staunton Centennial

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On the weekend of 18 – 19 February 2012, the National Capital Band (Bandmaster Dr. Steve Kellner) journeyed to the Shenandoah Valley city of Staunton, Virginia to participate in the celebration of 100 years of Salvation Army service there. The trip included a youth music workshop on Saturday afternoon, a music festival on Saturday evening, worship at the corps on Sunday morning and a Soldiers Rally and Birthday Celebration on Sunday afternoon. The band was delighted to be invited to participate in this event by the corps officers, Majors Sam and Mary Kay Hearne.

Saturday, 18 February 2012

The first event of the weekend was a youth music clinic with students from the Salvation Army music program in the Valley. This program has been given a regional emphasis with the employment of Jason Collier as regional music director for the Valley in the fall of 2011, and this was the first opportunity for the students to showcase their skills for a visiting group. About twenty young people from the Staunton and Harrisonburg Corps participated in the workshops.

The workshop began with a group session, with Bandmaster Kellner leading everyone in a “Breathing and Buzzing” session. The group then broke into groups by instrument, with members of the NCB providing instruction and guidance to the students. After the individual sessions, the group reassembled in the corps gymnasium, where there was a short concert, featuring the Harrisonburg Junior Band playing Abide with Me (arr. Robert Redhead) and the Staunton Singing Company presenting Lord, You’re Beautiful, both under the direction of Jason Collier. Items by the NCB included two classics by James Anderson, Goldcrest and Jesus Loves Me. The highlight of the afternoon was William Himes’ Classics in Brass, with the students accompanied by the NCB.

The band then packed up and moved a short distance to Memorial Baptist Church, the venue for the evening concert. The members of the church, lead by Pastor Temple Myers, were extremely gracious and accommodating to the band, including disassembling a part of the platform in the sanctuary in order to allow the band enough room. They also provided a wonderful meal to the band before the concert. There were several large displays of artwork from young member of the community on display in the lobby of the church, as well as some historic photos of the Staunton Corps and members through the years.

The concert began in rousing fashion with The Ambassadors (Peter Graham), immediately followed by the audience joining with the band to sing Joyful, Joyful (Steve Kellner). Words of welcome were then brought by the Divisional Commander for the National Capital and Virginia Division, Major Kelly Igleheart.

The next item was the duet Quicksilver (Peter Graham), featuring Noel Morris (soprano cornet) and David Delaney (cornet). After being ably represented by the duettists, the entire cornet section was featured at the beginning of the following selection, The Power of the Cross (Paul Sharman).

The Downing family has been a key part of the ministry of the National Capital Band for over forty years. The band’s principal trombone, Kevin Downing, is the second generation of that family to play in the band. Although still a student (he is currently a sophomore majoring in trombone performance at the University of Maryland), he is already a virtuoso performer. For this concert, he performed the jazzy solo Joshua, made famous by Bill Pearce and arranged for brass band by Kevin Hayward. The solo features extreme range, a variety of styles, and an amazing cadenza, at the end of which Kevin played an entire phrase in multiphonics – playing two notes (and sometimes three) at the same time.

Kevin’s performance was followed by an example of the Salvation Army’s music program in the Staunton area, as the young players in that program joined with the NCB for Classics in Brass. The band then concluded the first half of the program with William Himes’ suite To the Chief Musician.

After a fifteen-minute intermission, the band brought the audience back to their seats with a rousing rendition of The Firing Line (Bruce Broughton), followed by a congregational song, All Hail the Power of Jesus’ Name (arr. William Himes). Another offering from the band in this section of the program was Leonard Ballantine’s big-band style arrangement Shall We Gather.

During the second half of the program, Major Sam Hearne recognized local leaders and members of the Advisory Board of the Staunton Salvation Army. In addition, the Mayor of Staunton, Lacy B. King, Jr., read a proclamation celebrating the centenary of the Salvation Army in Staunton.

Another highlight of the second half was Ray Houser at the piano. Houser is a long-time supporter of the Salvation Army in Staunton and, despite advanced age and failing health, is still able to pound out songs on the piano in a unique country-gospel style.

The National Capital Band ended the festival with two classic items from the pen of Dean Goffin. As Bandmaster Kellner pointed out to the audience, a unique feature of Salvation Army brass music is the meditation – a piece which examines and enlarges on a tune with a strong reference to the associated words. Perhaps the greatest expression of the meditation in the Salvation Army brass band literature is The Light of the World.

The final item of the evening was another masterwork by Dean Goffin, Symphony of Thanksgiving. One of the most challenging items in the entire Salvation Army repertoire, this piece, with its classical form and style, was a fitting end to a concert celebrating 100 years of service in the local community, and was met with extended applause from the nearly 400 people in attendance.

Following the postlude, The Risen Savior (Paul Kellner), the members of the band and audience were treated to an excellent reception in the church’s fellowship hall.

The band is grateful for the assistance provided on Saturday by Dave LaBossiere, who traveled down from Philadelphia to sit in on euphonium.

Sunday, 19 February 2012

On Sunday morning, the band returned to the Staunton Corps building to support the Sunday morning worship service and a Soldiers’ Rally and Birthday Celebration in the afternoon. There was some concern about the weather forecast, as a winter storm warning had been issued for the region by the National Weather Service, but the events continued as planned.

Before morning worship, the band provided some preliminary items, including Angelus (arr. Eric Ball), Jesus Loves Me (James Anderson), Laudes Domini (arr. Eric Ball), O How I Love Jesus (James Curnow) and Lobe den Herren (arr. Eric Ball).

The service featured the Staunton Singing Company, led by Jason Collier, presenting Lord, Your’re Beautiful, the band playing The Light of the World (Dean Goffin) and Major Mark Woodcock, a former corps officer at Staunton, who sang Till the Storm Passes By and brought the message for the morning. NCB Executive Officer Major James Allison participated by enrolling three new senior soldiers into the Staunton Corps.

The afternoon meeting began a bit earlier than planned because of the snow forecast. The congregation from Staunton was bolstered by members of the Harrisonburg Corps and the Charlottesville Corps. The band started things off with The Ambassadors (Peter Graham) and The Firing Line (Bruce Broughton). The meeting was themed “Doors of the Past, Present and Future” and featured three speakers: representing the Past, Lt.-Colonel J. B. Matthews (who was the corps officer at Staunton for the 50th anniversary celebration); representing the Present, Home League Treasurer Jean DePriest; and speaking to the Future, Major Bruce Williams (also a former Staunton corps officer).

Following these presentations, the band’s principal trombone, Kevin Downing, performed the jazz solo Joshua (Pearce/Kaiser, arr. Kevin Hayward) before Lt.-Colonel Sandra Definbaugh brought a Bible message. Lt.-Col. Definbaugh, currently appointed as the Business Manager at National Headquarters, is a Staunton native and attended the corps as a girl.

The weekend was brought to a rousing and appropriate close with the band and congregation joining in O Boundless Salvation, with a “tag” consisting of Heavenly Gales and Praise God, I’m Saved.

Following the meeting, when the outside door was opened, it was evident that the threat of snow had materialized, with two inches already on the ground and more coming down. The members of the NCB quickly packed up, grabbed the box dinners which had been provided by the Staunton Corps, and headed back to the Washington area, fortunately not hindered much by the weather, which improved considerably as they traveled north through Harrisonburg.

The weekend was a great success for both the NCB and the Staunton Corps. The corps officers and members of the Corps and the Advisory Board are to be commended for excellent planning and organization throughout the weekend, which was evidenced by the attendance for the Saturday evening concert.

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Tidewater Ministry Weekend (Part 2 of 2)

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This is the second of a two-part series of articles on the band’s ministry weekend in the Tidewater area of Virginia, 5 – 6 November 2011.

Sunday, 6 November 2011

On Sunday, 6 November 2011, the National Capital Band (Bandmaster Dr. Steve Kellner) returned to the Norfolk Corps to continue their ministry weekend in the Tidewater Area. Sunday activities included morning worship and a praise concert in the afternoon.

The morning Holiness Meeting began with a series of prelude items by the band, including Angelus (Eric Ball), Jesus Loves Me (James Anderson), Be Thou My Vision (Steve Kellner) and St. Francis (William Himes). With members of three different corps in the area (Norfolk, Hampton and Portsmouth) gathered together, the hall was full beyond capacity.

During the service, the band participated in the praise and worship time, which was led by Jason and Joel Collier, and included Come, Now Is the Time to Worship (arr. James Shiels), Jesus, Messiah and He Knows My Name. The band also featured Paul Sharman’s arrangement of The Power of the Cross.

The message of the morning, which was given by the band’s executive officer, Major James Allison, was based around the theme “The Light of the World“. The band played Dean Goffin’s magnificent and moving mediation before the message, and Major Allison used the imagery of this music and the painting which inspired it to exhort the congregation to allow the Savior to enter into their lives.

Following a lunch in the corps gymnasium, the band and congregation returned to the chapel for an afternoon Praise Concert. The band kicked off the afternoon with Goldcrest (James Anderson) and then accompanied the congregation as they sang Joyful, Joyful. Other band items included The Ambassadors (Peter Graham) and The Firing Line (Bruce Broughton).

Three of the band’s featured players also presented items. David Delaney (cornet) and Noel Morris (soprano cornet) offered Quicksilver (Peter Graham) and principal trombone Kevin Downing gave an exuberant rendition of Joshua (Pearce/Kaiser, arr. Kevin Hayward).

As the praise concert ended, the band concluded the ministry weekend with The Risen Savior (Paul Kellner). A busy weekend of performances and teaching, although tiring, was inspiring and uplifting for the members of the band.

The band would like to acknowledge some substitute players who filled in for the weekend: David Adams (solo cornet), Patrick Morris (euphonium) and Dan Dobney (Eb bass). We appreciate your efforts during the weekend.

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Tidewater Ministry Weekend (Part 1 of 2)

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This is the first of a two-part series of articles on the band’s ministry weekend in the Tidewater area of Virginia, 5 – 6 November 2011.

The National Capital Band (Bandmaster Dr. Steve Kellner) traveled to the Tidewater area of Virginia on 4 November 2011 for a ministry weekend which included a kettle kick-off, music for a fashion show, a youth band clinic, an evening festival, morning worship and an afternoon praise concert.

Most of the members of the band gathered at Divisional Headquarters on Friday evening and boarded two mini-buses for the journey south. Stops were made in Fredericksburg and Richmond to gather more of the band. Arriving late in the evening, the band checked into the hotel and spent a restful evening in anticipation of a busy Saturday.

Saturday, 5 November 2011

On Saturday morning, a sextet from the band stayed behind at the hotel to provide support for a fund-raising Fashion Show. The rest of the band boarded the buses and went to a Wal-Mart in Virginia Beach. Setting up in an open area near the entrance, the band provided 90 minutes of Christmas carols for the area-wide red kettle kick-off, joined by a couple of mascots (including a cow from the local Chick-Fil-A franchise, who at one point took the baton and conducted the band through “Hark the Herald Angels”).

The band (still minus the sextet) then went to the Norfolk Corps for lunch and the afternoon activities. With young musicians from both the Richmond Citadel and Hampton Corps present, Bandmaster Kellner gave a “breathing and buzzing” lecture (complete with hand motions). The students were then assigned to various master classes with NCB members, many of which were one-on-one sessions.

The conclusion of the clinic was a demonstration concert. Finally joined by the sextet, the National Capital Band started off with The Risen Savior (Paul Kellner). Next up was the Hampton Youth Band, led by Josh Webb. This group played “Duke Street” and “Fairest Lord Jesus”, both from the First Book of Hymn Tunes.

Next, the NCB presented a contrasting item, James Anderson’s arrangement of Jesus Loves Me. The Richmond Youth Band was then featured, under the direction of Matt Sims. They presented three familiar Christmas carols, “Hark! the Herald Angels Sing”, “Joy to the World” and “Jingle Bells”.

Another composition from James Anderson, Goldcrest, was the next presentation from the National Capital Band. This was followed by the Hampton Corps senior band, led by the corps officer, Major Kim Feinauer. This group played “Repton” and “He Came to Give Us Life”.

The next item featured the NCB’s young trombone virtuoso, Kevin Downing, who played Kevin Hayward’s arrangement of the classic solo by Bill Pearce, Joshua. Major James Allison, the band’s Executive Officer, gave a brief devotional talk, which was followed by the final item from the NCB, Shall We Gather (Leonard Ballantine). Captain Tim Delaney, Divisional Youth Secretary and member of the NCB tuba section, ended the afternoon session with a benediction.

The next event for the band was the evening festival, held at the Eastminster Presbyterian Church in Virginia Beach. This is the third time that the National Capital Band has presented a concert at this venue. Before the concert, the band had dinner in the church’s fellowship hall.

The concert began with St. Francis (William Himes), followed immediately by Joyful, Joyful (Steve Kellner) as a congregational song. Major Allison gave a welcome, and the concert continued with The Ambassadors (Peter Graham).

The first feature item on the program was another Peter Graham composition, the cornet duet Quicksilver, ably played by David Delaney (Bb cornet) and Noel Morris (soprano cornet). This was followed by Paul Sharman’s arrangement of the contemporary Christian song The Power of the Cross.

The second feature item of the evening was the trombone solo Joshua presented by Kevin Downing. This jazzy version of “Joshua Fit the Battle” was a signature item for the great trombonist Bill Pearce, and this arrangement was made by Kevin Hayward, former bandmaster of the Canadian Staff Band. Kevin Downing, who is in his third season as the principal trombone of the National Capital Band, is a sophomore at the University of Maryland, majoring in trombone performance.

The first half of the program ended with Suite for Brass (Three Hymns) (Stephen Bulla). In three movements, this piece features the familiar hymns “O Worship the King”, “Amazing Grace” and “How Firm a Foundation”.

Following an intermission, the band brought the audience back with The Firing Line (Bruce Broughton). This was followed by the swing-style Shall We Gather (Leonard Ballantine). Major Allison then brought a devotional, which was tied in with the band’s next item, Dean Goffin’s sublime meditation The Light of the World.

The final item of the concert was William Himes’ suite To the Chief Musician. With innovative elements such as chanting and singing from the band during the piece, this is one of the more original works in the repertoire. Major Lewis Reckline, Tidewater Area Commander pronounced the benediction. The band sent the audience home with a postlude, The Risen Savior (Paul Kellner).

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Ministry Weekend in Raleigh

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Early on the morning of Saturday, 19 February 2011, members of the National Capital Band (Bandmaster Dr. Steve Kellner) gathered at Divisional Headquarters in Washington to begin a journey to Raleigh, NC, for a ministry weekend. The weekend was set up by Majors Pete and Cathy Costas, who are the corps officers in Raleigh, and consisted of a short outdoor concert at North Hills Mall, a soldiers’ rally/concert and Sunday morning worship at the Raleigh Corps.

Saturday, 19 February 2011

Upon arriving in Raleigh, the band was treated to lunch at the corps, and then went to North Hills Mall for an outdoor concert. Despite the season, the weather was warm and sunny, and there were many people at the venue. The band had an excellent area from which to present their concert, at the center of the mall in a large courtyard. Items included The Risen Savior (Paul Kellner), Be Thou My Vision (Steve Kellner), Joyful, Joyful (Steve Kellner), Jesus Loves Me (James Anderson), Motivation (William Himes), the second movement, featuring “Amazing Grace” from Robert Redhead’s suite Shout Salvation, and Goldcrest (James Anderson).

After a brief stop at their hotel, the members of the band returned to the Raleigh Corps for set up, sound check, and dinner before the evening event, which was a Soldiers’ Rally with Salvationists from several corps in the area in attendance. The NCB started the evening with Bandmaster Kellner’s Fanfare and Allegro on the Doxology, followed by a welcome by the band’s executive officer, Major James Allison. The congregation was given the first of several opportunities to participate, singing Joyful, Joyful to the band’s accompaniment.

The Good Old Way, based on a Primitive Methodist song from the nineteenth century, was the next item on the program. Bruce Broughton, an established film and television composer, is a master of programmatic music, and this piece is a fine example. The band’s only soloist of the evening was principal cornet David Delaney, who gave an enthusiastic performance of Ray Steadman-Allen’s Rhapsody on Negro Spirituals.

Scott Bedio gave a testimony, which was followed by the suite Shout Salvation (Robert Redhead), conducted by deputy bandmaster Matt Sims, with Bandmaster Kellner taking the bass trombone chair.

The congregation was then offered another opportunity to participate. This time, they were treated to a premiere of a new medley arranged by Bandmaster Kellner, Army on the March! This piece, designed for audience participation, consists of a number of Salvation Army marching songs, several of which are presented in the arrangements based on those featured in classic marches: “Marching Along”, “Keep in Step” from Regent Hall Young People (Leslie Condon), “A Robe of White” from The Invincible Army (Erik Leidzén), “March On!”, “Happy Song” from Kinshasha (Leslie Condon) and “On We March with the Blood and the Fire” from Harrow Citadel (A. S. Raikes). During this item, the Army flag was marched around the hall as the audience enthusiastically sang.

The main Salvation Army center in Port-au-Prince, Haiti, was destroyed by the earthquake of January 2010. The USA Southern Territory is raising funds, from the soldiers, to assist in the rebuilding of the corps, which is one of the largest in the Americas. An offering was taken during the meeting in support of this effort. The band played Motivation (William Himes), with the deputy bandmaster conducting, as an offertory. This was followed by a devotional message by Major Allison.

The final band item was another composition from Bandmaster Kellner, Variations on “O Worship the King”. The piece examines the familiar hymn tune in five movements: “Fanfare”, “Little Fugue”, “Song without Words”, “Celtic Dance” and “Theme and Finale”. This led into the conclusion of the program, with the congregation singing ’O Boundless Salvation’ using William Himes’ arrangement as accompaniment. Major Pete Costas gave a benediction. The NCB sent everyone home in fine fashion, playing Goldcrest (James Anderson) as a postlude.

Sunday, 20 February 2011

On Sunday morning, the band returned to the Raleigh worship center. After the Sunday School preliminaries, the Raleigh corps members dispersed to their classes, and the band remained in the chapel for their own preparations. Major Allison gave a short devotional, and then the rest of the time became a prayer meeting among the members of the band. Bandmaster Kellner has emphasized the spiritual life of the band and its members during this season, and this short devotional time was a significant event, including band members kneeling at the Mercy Seat, being supported and assisted by other members.

The theme of the morning worship service was ’Arise, My Soul!’. The band’s main contribution was the offertory, Dean Goffin’s prelude and fugue Arise, My Soul, Arise, one of the true classics of brass band literature. Danielle Ashton read Scripture and gave her testimony. Major Allison gave the message of the morning, entitled “You Want Me To Do What?”, based on Isaiah 6:1-8. The time of commitment after the sermon again featured the band, as they presented Eric Ball’s timeless meditation, Serenity.

A highlight of the meeting was an impromptu a capella quartet from four members of the Raleigh Corps. This corps has a diverse, international congregation, and several of the local officers, including Bandmaster Henri Kissaka and Songster Leader Ghodard Diavangama, hail from Africa. The quartet, which included these persons and two other African Salvationists, sang with the unique and beautiful quality of vocal groups from that continent.

The meeting ended on an upbeat note, with the congregation singing along with the band in the medley Army on the March! (Steve Kellner). Major Pete Costas gave the benediction, and the band played The Risen Savior (Paul Kellner) as a postlude before moving downstairs to join Corps Sergeant-Major Terry Williamson and the rest of the Raleigh corps council for lunch.

This trip ranks as one of the top ministry weekends undertaken by the National Capital Band in recent years. Filling in for absent members were some of the talented local Salvationist musicians: Steve Sutton (cornet), Daniel Simmons (horn) and Charlie Fisher (trombone). In addition, the NCB was delighted to have former long-time member Captain Mike Harris, who is now the corps officer in Hickory, North Carolina, sit in with the tuba section for the Saturday night rally.

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Fredericksburg 125

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On the weekend of 6 – 7 November 2010, the National Capital Band made the short journey to Fredericksburg, Virginia to help celebrate 125 years of Salvation Army work in that city. This was the first ministry weekend under the direction of Bandmaster Dr. Steve Kellner.

Saturday, 6 November 2010

The first Salvation Army meeting in Fredericksburg was held on Sunday, 29 November 1885 at Hayden Hall, 700 Princess Anne Street. The first event of the weekend was the unveiling of a plaque affixed to that building commemorating the event (permission for which was graciously extended by the current occupants, the law offices of Murray Van Lear and Paul Scott). A small ensemble from the band supported the unveiling.

The full band then gathered at Hurkamp Park, in the center of downtown Fredericksburg, for a short outdoor concert. Despite a rather chill wind (and a bird who “targeted” a member of the bass section), the band presented a light program to a small but enthusiastic group of listeners. Items included:

  • Goldcrest
  • Jesus Loves Me
  • God’s Children
  • O, How I Love Jesus
  • Fill the World with Music
  • Teach Me
  • Come, Thou Almighty King
  • Be Thou My Vision
  • Down the Street

The band then went to the venue for the evening concert, Spotswood Baptist Church, where they had a sound check and rehearsal, followed by a meal provided by the Fredericksburg Corps.

The evening festival, with several hundred persons in the audience, started off with two contrasting items, Goldcrest (James Anderson) and The Prayer Meeting (Bruce Broughton). The audience was then invited to stand and sing, the song being “Joyful, Joyful, We Adore Thee”, with an accompaniment arranged by Bandmaster Kellner. The executive officer of the National Capital Band, Major James Allison, made some introductions and gave an opening prayer.

After the introductions and prayer, the program continued with another work by Bruce Broughton, The Good Old Way. This was followed by the only soloist of the evening, principal trombone Kevin Downing. Despite only being 18 years of age, Kevin, who is a freshman majoring in trombone performance at the University of Maryland, is already an accomplished soloist, as he showed with his performance of Fantasy for Trombone on Spirituals (Ray Steadman-Allen).

For many years, the suite has been a favorite form in Salvation Army compositions. The next item on the program, Shout Salvation (Robert Redhead), is a fine example of the form written in the mid-1970s. Deputy Bandmaster Matt Sims conducted the band for this item. The final piece of the first half was Power and Glory, a transcription (by Bandmaster Kellner) of a march by John Philip Sousa. This march, which features the well-known hymn tune “Onward, Christian Soldiers” in the trio, is one of very few works in which Sousa used a melody that he had not composed himself.

The second half started with Motivation (William Himes), conducted by the deputy bandmaster. This was followed by the major work of the evening. Commissioner Sir Dean Goffin is one of the giants of Salvation Army music. He demonstrated his mastery of classical forms with his treatment of the familiar hymn tune “Darwalls”, the prelude and fugue Arise, My Soul, Arise. Associating the tune with words by Charles Wesley, this is sacred music of the highest order.

Arise, my soul, arise
Shake off thy guilty fears;
The bleeding sacrifice
In my behalf appears;
Before the throne my surety stands,
My name is written on his hands.

Captain Matt Satterlee, corps officer, gave a short presentation on the 125th anniversary of the Fredericksburg Corps. This was followed by a New Orleans-inspired jazz item, Lord, Lord, You Sure Been Good to Me (Eric Alexander).

During the weeks immediately preceding this ministry weekend, Major Dan Delaney, father of principal cornet David Delaney, and Bandmaster James Anderson had been promoted to Glory. Major James Allison, in his devotional thought during the concert, told the story of the song “It Is Well with My Soul”. Bandmaster Anderson’s family was singing this song at his bedside at the moment that he passed away. Following Major Allison’s talk, the band played Eric Ball’s masterful arrangement of this melody, Serenity. It was an emotional performance for many in the group, as this same arrangement had been used at Major Delaney’s funeral just a few weeks before.

The concert concluded with a modern expression of praise, Martin Cordner’s Let Everything Praise.

Sunday, 7 November 2010

After spending the night at nearby Camp Happyland, and being treated to a hot breakfast provided by the camp caretakers and staff, the band returned to Spotswood Baptist for the early service. The band played a mini-concert beginning at 8:30 am, with the service proper starting at 8:55. Items in the mini-concert included Jesus Loves Me (James Anderson), Be Thou My Vision (Steve Kellner), Serentity (Eric Ball) and In Christ Alone (Martin Cordner).

During the service, the band provided the accompaniment for congregational songs, and presented James Curnow’s arrangement of Come, Thou Almighty King. As this was the Sunday before the Veteran’s Day holiday (11 November), the church choir and the band joined for a medley of the songs from the five United States armed services, composed by the director of instrumental music at the church, Robert Farmer, with orchestral parts transcribed for brass by Bandmaster Kellner.

After the service at Spotswood Baptist, the band made a quick break-down and exit, traveling to the Fredericksburg Corps for the holiness meeting there. Again, the band played a few items before the meeting, including Jesus Loves Me and Be Thou My Vision. The band conducted the entire service, accompanying the congregational songs and playing Serenity and In Christ Alone as special items. Joshua Webb read Scripture, and Elizabeth Schramm gave a personal testimony detailing her experiences at the World Youth Conference in Sweden during the past summer. Major Allison gave the sermon, and the meeting concluded with the congregation and band joining in “O Boundless Salvation”. As a postlude, the band played the same march with which the weekend began at Hurkamp Park, Goldcrest.

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Worship Service at Solomon G. Brown Corps

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This is the third of three articles on the National Capital Band’s “Bravo Brass!” ministry weekend in the Washington, DC metro area, 10 – 11 April 2010.

The finale of the National Capital Band’s Bravo Brass! Weekend was a worship service on Sunday, 11 April 2010, at the Solomon G. Brown (Southeast) Corps in Washington, DC. Located in the heart of the Anacostia neighborhood in the Southeast quadrant of the city, this is the newest corps building in the metro area, with the corps occupying two floors of a five-story building, with the rest of the building occupied by paying business tenants, an innovative arrangement for a Salvation Army building.

The members of the band were greeted by the corps officer, Lieutenant Michal Chapman as they arrived for the Sunday holiness meeting. The platform area of the sanctuary is not large enough for a full-size brass band, so the NCB set up to one side. As with the rest of the weekend, Bandmaster James B. Anderson was unable to be present, being out of town for medical treatment. Conducting duties for the meeting were shared between Deputy Bandmaster Matt Sims and principal euphonium Steve Kellner.

The band began with some preliminary items, including James Curnow’s Fanfare Prelude on “Lobe den Herren”. Following a welcome and announcements by Lieutenant Chapman, the Corps Sergeant-Major, George Beu, accepted the tithes and offerings. As an offertory, the band presented the trombone feature I Will Follow Him (arr. Goff Richards).

The National Capital Band is blessed with many versatile musicians, and the NCB Praise Team (Captain Amy Reardon, vocals; Captain Rob Reardon, keyboard; Deputy Bandmaster Matt Sims, bass guitar; Keith Morris, drum kit; David Delaney and David Mersiovsky, trumpet; and Kevin Downing, trombone) led the congregation in the contemporary worship songs Hosanna! (Paul Baloche/Benton Brown) and You Are My King (Billy James Foote). The congregation was also given the opportunity to sing with the full band using Charles Skinner’s arrangement of Crown Him with Many Crowns.

The program then took on a more devotional character, with a personal testimony given by David Mersiovsky, a prayer chorus (“Turn Your Eyes upon Jesus”) and prayer led by Noel Morris, the congregational song “And Can It Be” using the William Himes arrangement entitled Amazing Love, and a Scripture reading given by David Delaney.

The Scripture reading was followed by Delaney’s sensitive rendition of the cornet solo I’d Rather Have Jesus (William Himes), a fitting introduction to the message of the morning given by the band’s executive officer, Major James Allison. Major Allison, in his usual relaxed manner, was effective in presenting the Gospel message, as evidenced by the several seekers who came forward during the time of commitment.

Before the final congregational song, O Boundless Salvation (arr. William Himes), Major Allison called Bandmaster Anderson, who was in Houston, Texas, for medical treatment. In one of the most moving experiences in the recent history of the band, all present were privileged to have the bandmaster participate in the singing of the concluding song and give the benediction from a hospital thousands of miles away. We learned later that Bandmaster Anderson was in the day room, with several other patients present, during this time, and that he, in his usual bold fashion, sang along and prayed aloud without any sign of embarrassment or timidity. The meeting ended with a prayer for Bandmaster Anderson given by the band chaplain, Captain Mike Harris, and the postlude, Rolling Along (William Himes).

As the band concluded this special ministry weekend, contributions by several guest players were acknowledged, including Darryl Crossland and Steve Sutton on cornet and Dr. Richard Holz on Bb bass.

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Bravo Brass!

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This is the second of three articles on the National Capital Band’s “Bravo Brass!” ministry weekend in the Washington, DC metro area, 10 – 11 April 2010.

As a part of their Bravo Brass weekend, the National Capital Band of the Salvation Army (Bandmaster James B. Anderson) joined with The Dominion Brass (Conductors Steve Kellner and Ben Roundtree) for a concert at McLean Presbyterian Church, on 10 April 2010.

The Dominion Brass, founded in 2002, is a large brass and percussion ensemble made up of professional musicians and music educators from the Washington, DC area. Its mission is to glorify God through music and to support other ministries and charitable organizations through concert performances. Since its founding, the ensemble has played several concerts annually and raised over $30,000 for various local, national and international ministries and charities.

The concert began with The Dominion Brass on the stage, where they started with Joyful, Joyful (arr. Steve Kellner) as a congregational song. This was followed by a arrangement by Ben Roundtree of The Power of the Cross. The next item was the premiere of an extended work composed by Steve Kellner, Variations on “O Worship the King”. This well-known hymn was presented in five movements, representing a variety of musical styles: Fanfare, Little Fugue, Song without Words, Celtic Dance and the closing Theme and Finale.

One of the great composers for choir in the twentieth century was Randall Thompson. His classic choral work Alleluia has been skillfully transcribed for brass choir by Steve Kellner, and this was the next work presented by The Dominion Brass. Contrasting with this symphonic chorale was the next item, There Is Power in the Blood, featuring the six-member trombone section of The Dominion Brass. Arranged by Ben Roundtree in a classic jazz format, this piece was greeted with long and loud applause.

The final item was the Finale from Camille Saint-Saëns’ “Organ Symphony”, arranged by Phil Snedecor. The McLean Presbyterian Church has recently installed a new organ, and it was an excellent benefit to the concert to have the church’s organist, David Bading, participate in this presentation.

During the intermission, the platform was reset for the National Capital Band. Unfortunately, Bandmaster James Anderson was unable to attend the events this weekend for medical reasons, but Deputy Bandmaster Matt Sims and principal euphonium Steve Kellner filled in admirably in the Bandmaster’s absence. Two Dominion Brass members, Phil Franke (euphonium) and Dana Landis (trombone) helped out by filling in for Kellner and Sims respectively.

The National Capital Band began its portion of the program with two pieces composed by Leslie Condon, Celebration and Song of Exuberance. The latter, one of the more difficult trombone solos in the Salvation Army repertoire, was given an excellent rendition by Kevin Downing, the NCB’s principal trombone. The third item was William Himes’ joyous Cause for Celebration.

The concert then turned from the contemporary rhythms and harmonies of William Himes to a item by a composer who may be considered the origin of all sacred brass music, Giovanni Gabrieli. An innovator often credited with the first significant use of dynamics, massed instrumentation and antiphonal effects, Gabrieli’s music is still appreciated and admired despite being composed some 400 years ago. Steve Kellner provided the arrangement of Canzon Septimi Toni No. 2, with the National Capital Band as “choir one” on the stage and The Dominion Brass split on either side of the audience to provide the antiphonal effect.

Returning to more contemporary music, the next item was Peter Graham’s Renaissance. For this item, The Dominion Brass filled the choir loft behind the National Capital Band, joining in the majestic final section as the piece concludes with the emphatic statement “May Jesus Christ Be Praised!”.

For the finale of the concert, everyone in the hall was included, with both bands, the church organ, and the audience combining for Crown Him with Many Crowns (arr. Charles Skinner), providing a fitting conclusion to the concert.

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